The 1968 Nobel Prize in Literature was awarded to the Japanese writer Yasunari Kawabata (1899–1972) "for his narrative mastery, which with great sensibility expresses the essence of the Japanese mind."[1] He is the first Japanese recipient of the prize.
Yasunari Kawabata's short story Izu no odoriko ("The Dancing Girl of Izu"), first published in 1926, served as his literary debut. After producing a number of noteworthy works, Kawabata's 1937 novel Yukiguni ("Snow Country") established him as one of Japan's most renowned writers. In 1949, he published two serial novels Senbazuru ("Thousand Cranes") and Yama no Oto. His later works include Mizuumi ("The Lake", 1955) and Koto ("The Old Capital", 1962). Both in the author's home country and abroad, The Old Capital left the biggest impression.[2][3]
Deliberations
Nominations
Kawabata was nominated on 8 occasions starting in 1961. He was annually nominated with single nominations made by members of the Swedish Academy. In 1968, his nomination was made by Eyvind Johnson, member of the said academy.[4]
The leading contenders for the prize in 1968 were the French novelist André Malraux and the Irish playwright Samuel Beckett (awarded in 1969). The third proposal by the Nobel Committee was the British poet W. H. Auden and Kawabata was the fourth. Anders Österling, chair of the committee, and committee member Eyvind Johnson pushed for the choice of Malraux, while the other three members of the committee supported a prize for Beckett. Eventually Kawabata was the candidate that could be agreed upon, following the Swedish Academy's ambition in the 1960s to award authors from different language areas and parts of the world.[8] While supporting a prize for Malraux, Österling admitted that a prize for Kawabata "should prove justified and welcome."[5]
Nobel lecture
Kawabata's Nobel Lecture was titled Japan, The Beautiful and Myself (美しい日本の私―その序説). Zen Buddhism was a key focal point of the speech; much was devoted to practitioners and the general practices of Zen Buddhism and how it differed from other types of Buddhism. He presented a severe picture of Zen Buddhism, where disciples can enter salvation only through their efforts, where they are isolated for several hours at a time, and how from this isolation there can come beauty. He noted that Zen practices focus on simplicity and it is this simplicity that proves to be the beauty. "The heart of the ink painting is in space, abbreviation, what is left undrawn." From painting he moved on to talk about ikebana and bonsai as art forms that emphasize the elegance and beauty that arises from the simplicity. "The Japanese garden, too, of course symbolizes the vastness of nature."[9]
In addition to the numerous mentions of Zen and nature, one topic that was briefly mentioned in Kawabata's lecture was that of suicide. Kawabata reminisced of other famous Japanese authors who committed suicide, in particular Ryūnosuke Akutagawa. He contradicted the custom of suicide as being a form of enlightenment, mentioning the priest Ikkyū, who also thought of suicide twice. He quoted Ikkyū, "Among those who give thoughts to things, is there one who does not think of suicide?" There was much speculation about this quote being a clue to Kawabata's suicide in 1972, a year and a half after Mishima had committed suicide.[10]
Notes
^Some names of the nominators for the 1968 Nobel Prize in Literature was not present in the list released by the Swedish Academy.[7]
