Annie Dillard (née Doak; born April 30, 1945)[1] is an American author, best known for her narrative prose in both fiction and non-fiction. She has published works of poetry, essays, prose, and literary criticism, as well as two novels and one memoir. Her 1974 book Pilgrim at Tinker Creek won the 1975 Pulitzer Prize for General Nonfiction. From 1980, Dillard taught for 21 years in the English department of Wesleyan University, in Middletown, Connecticut.
Early life
Dillard was born April 30, 1945, in Pittsburgh[1] to Frank and Pam Doak.[2] She is the eldest of three daughters.
Early childhood details can be drawn from Annie Dillard's autobiography, An American Childhood (1987), about growing up in the 1950s Point Breeze neighborhood of Pittsburgh in "a house full of comedians."[3] The book focuses on "waking up"[4]: 195 from a self-absorbed childhood and becoming immersed in the present moment of the larger world. She describes her mother as an energetic non-conformist. Her father taught her many useful subjects such as plumbing, economics, and the intricacies of the novel On the Road, though by the end of her adolescence she began to realize neither of her parents is infallible.
In her autobiography, Dillard describes reading a wide variety of subjects including geology, natural history, entomology, epidemiology, and poetry, among others. Among the influential books from her youth were The Natural Way to Draw and Field Book of Ponds and Streams[4]: 81 because they allowed her a way to interact with the present moment and a way of escape, respectively. Her days were filled with exploring, piano and dance classes, rock collecting, bug collecting, drawing, and reading books from the public library including natural history and military history such as that of World War II.
As a child, Dillard attended the Shadyside Presbyterian Church in Pittsburgh, though her parents did not attend.[4]: 195 She spent four summers at the First Presbyterian Church (FPC) Camp in Ligonier, Pennsylvania.[5] As an adolescent, she stopped attending church, citing "hypocrisy." When she told her minister of her decision, she was given four volumes of C. S. Lewis's broadcast talks, from which she appreciated that author's philosophy on suffering, but elsewhere found the topic inadequately addressed.[4]: 228
Dillard attended Hollins College in Roanoke, Virginia, where she studied English, theology, and creative writing.[6] Dillard stated, "In college I learned how to learn from other people. As far as I was concerned, writing in college didn't consist of what little Annie had to say, but what Wallace Stevens had to say. I didn't come to college to think my own thoughts, I came to learn what had been thought."[7] She received a Bachelor of Arts degree in 1967 and a Master of Arts degree in 1968.[1] Her Master's thesis on Henry David Thoreau showed how Walden Pond functioned as "the central image and focal point for Thoreau's narrative movement between heaven and earth."[citation needed]
Dillard spent the first few years after graduation oil painting, writing, and keeping a journal. Several of her poems and short stories were published, and during this time she also worked for Lyndon B. Johnson's Anti-Poverty Program.
In her first book of poems, Tickets for a Prayer Wheel (1974), Dillard first articulated themes that she would later explore in other works of prose.[10]
Dillard's journals served as a source for Pilgrim at Tinker Creek (1974), a nonfiction narrative about the natural world near her home in Roanoke, Virginia. Although the book contains named chapters, it is not (as some critics assumed) a collection of essays.[10] Early chapters were published in The Atlantic, Harpers, and Sports Illustrated. The book describes God by studying creation, leading one critic to call her "one of the foremost horror writers of the 20th Century."[10] In The New York Times, Eudora Welty said the work was "admirable writing" that reveals "a sense of wonder so fearless and unbridled... [an] intensity of experience that she seems to live in order to declare," but "I honestly don't know what [Dillard] is talking about at... times."[11]
One day, Dillard decided to begin a project in which she would write about whatever happened on Lummi Island within a three-day time period. When a plane crashed on the second day, Dillard began to contemplate the problem of pain and God's allowance of "natural evil to happen."[10]
Although Holy the Firm (1977) was only 66 pages long, it took her 14 months, writing full-time, to complete the manuscript. In The New York Times Book Review novelist Frederick Buechner called it "a rare and precious book."[citation needed] Some critics wondered whether Dillard was under the influence of hallucinogenic drugs while writing the book. Dillard replied that she was not.[10]
Teaching a Stone to Talk (1982)
Teaching a Stone to Talk (1982) is a book of 14 short nonfiction narrative and travel essays. The essay "Life on the Rocks: The Galapagos" won the New York Women's Press Club award, and "Total Eclipse" was chosen for Best American Essays of the [20th] Century (2000). As Dillard herself notes, "'The Weasel is lots of fun; the much-botched church service is (I think) hilarious."[10] Following the first hardcover edition of the book, the order of essays was changed. Initially "Living Like Weasels" was first, followed by "An Expedition to the Pole." "Total Eclipse" was found between "On a Hill Far Away" and "Lenses."
The essays in Teaching a Stone to Talk:
"Total Eclipse"
"An Expedition to the Pole"
"In the Jungle"
"Living Like Weasels"
"The Deer at Providencia"
"Teaching a Stone to Talk"
"On a Hill Far Away"
"Lenses"
"Life on the Rocks: The Galapagos"
"A Field of Silence"
"God in the Doorway"
"Mirages"
"Sojourner"
"Aces and Eights"
Living by Fiction (1982)
In Living by Fiction (1982), Dillard produced her "theory about why flattening of character and narrative cannot happen in literature as it did when the visual arts rejected deep space for the picture plane." She later said that, in the process of writing this book, she talked herself into writing an old-fashioned novel.[10]
Encounters with Chinese Writers (1984)
Encounters with Chinese Writers (1984) is a work of journalism. One part takes place in China, where Dillard was a member of a delegation of six American writers and publishers, following the fall of the Gang of Four. In the second half, Dillard hosts a group of Chinese writers, whom she takes to Disneyland along with Allen Ginsberg. Dillard describes it as "hilarious."[10]
The Writing Life (1989)
The Writing Life (1989) is a collection of short essays in which Dillard "discusses with clear eye and wry wit how, where and why she writes."[13]The Boston Globe called it "a kind of spiritual Strunk & White, a small and brilliant guidebook to the landscape of a writer's task." The Chicago Tribune wrote that, "For nonwriters, it is a glimpse into the trials and satisfactions of a life spent with words. For writers, it is a warm, rambling conversation with a stimulating and extraordinarily talented colleague." The Detroit News called it "a spare volume...that has the power and force of a detonating bomb."[10] According to a biography of Dillard written by her husband Robert D. Richardson, Dillard "repudiates The Writing Life, except for the last chapter, the true story of stunt pilot Dave Rahm."[14]
Dillard's first novel, The Living (1992), centers on the first European settlers of the Pacific Northwest coast. While writing the book, she never allowed herself to read works that postdated the year she was writing about, nor did she use anachronistic words.[10]
Mornings Like This (1995)
Mornings Like This (1995) is a book dedicated to found poetry. Dillard took and arranged phrases from various old books, creating poems that are often ironic in tone. The poems are not related to the original books' themes. "A good trick should look hard and be easy," said Dillard. "These poems were a bad trick. They look easy and are really hard."[10]
For the Time Being (1999)
For the Time Being (1999) is a work of narrative nonfiction. Its topics mirror the various chapters of the book and include "birth, sand, China, clouds, numbers, Israel, encounters, thinker, evil, and now." In her own words on this book, she writes, "I quit the Catholic Church and Christianity; I stay near Christianity and Hasidism."[10]
The Maytrees (2007)
The Maytrees (2007) is Dillard's second novel. The story begins after World War II and tells of a lifelong love between a husband and wife who live in Provincetown, Cape Cod. It was a finalist for the PEN/Faulkner Award for Fiction in 2008.[10]
The Abundance (2017)
The Abundance, a collection of essays curated by the author, was published in 2017.[15]
Dillard's books have been translated into at least 10 languages.[citation needed] Her 1975 Pulitzer-winning book, Pilgrim at Tinker Creek, made Random House's survey of the century's 100 best nonfiction books.[citation needed] The Los Angeles Times' survey of the century's 100 best Western novels includes The Living.[citation needed] The century's 100 best spiritual books (ed. Philip Zaleski) also includes Pilgrim at Tinker Creek.[citation needed] The 100 best essays (ed. Joyce Carol Oates) includes "Total Eclipse," from Teaching a Stone to Talk.[citation needed] The translators of two of Dillard's books—Sabine Porte and Pierre Gault—have won Maurice-Edgar Cointreau Prizes in France for their translations.[6] Gault's translation of Pilgrim at Tinker Creek as Pélerinage à Tinker Creek won in 1999 and Porte's translation of For the Time Being as Au Présent won in 2002.[17]
To celebrate its city's centennial in 1984, the Boston Symphony commissioned Sir Michael Tippett to compose a symphony. He based part of its text on Pilgrim at Tinker Creek.[18]
In 2005, artist Jenny Holzer used An American Childhood, along with three other books, in her light-based 'scrolling' artwork "For Pittsburgh," installed at the Carnegie Museum of Pittsburgh.[20]
In 1965, at age 20, Dillard married her creative writing professor, Richard Dillard.[12][2] In 1975, they divorced amicably and she moved from Roanoke to Lummi Island near Bellingham, Washington.[2]
In 1976, she married Gary Clevidence, an anthropology professor at Fairhaven College, and they have a child, Cody Rose, born in 1984.[2][22] Dillard and Clevidence remained married until 1988.[22]
In 1988, Dillard married historical biographer Robert D. Richardson, whom she met after sending him a fan letter about his book Henry Thoreau: A Life of the Mind.[2][8][23] They were married until Richardson's death in 2020.
Religion
After college Dillard says she became "spiritually promiscuous." Her first prose book, Pilgrim at Tinker Creek, makes references not only to Christ and the Bible, but also to Islam, and Judaism, Buddhism, and Inuit spirituality. Dillard for a while converted to Roman Catholicism around 1988. This was described in detail in a New York Times overview of her work in 1992.[2]
In 1994, she won the Campion Award, given to a Catholic writer every year by the editors of America.[24] In her 1999 book, For the Time Being, she describes her abandonment of Christianity, describing the supposed absurdity of some Christian doctrines, while stating she still stays near Christianity, and continuing to valorize Catholic writer Teilhard de Chardin. Her personal website lists her religion as "none."[16]
Philanthropy
Sales of Dillard's paintings benefit Partners in Health, a Boston-based nonprofit international health organization founded by Dr. Paul Farmer.[25] Dillard's art is available on her website.
^Melada, Geoffrey W. (December 23, 2010). "Annie Dillard". Pittsburgh Magazine. Archived from the original on September 25, 2017. Retrieved September 24, 2017.
Parrish, Nancy C. (1998). Lee Smith, Annie Dillard, and the Hollins Group: A Genesis of Writers. Baton Rouge, LA: Louisiana State University Press. ISBN978-0-8071-2243-3. OCLC37884725.
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