Bard of Blood
Bard of Blood is a 2019 Indian spy thriller television series based on the 2015 espionage novel of the same name by Bilal Siddiqi.[1][2] Directed by Ribhu Dasgupta and produced by Red Chillies Entertainment, the series stars Emraan Hashmi[3] along with Kirti Kulhari, Vineet Kumar Singh, Jaideep Ahlawat and Sobhita Dhulipala.[4][5][6] It is a seven-episode series that revolves around the story of an ex-IIW agent.[7][8] The series premiered on 27 September 2019 on Netflix. OverviewKabir Anand is a former Indian Intelligence Wing (IIW) agent who has fallen out after an operation that resulted in his partner's death. He is now a literature teacher who looks after his deceased friend's wife and son. When four Indian intelligence officers are captured by Taliban in Quetta, the secret service director Sadiq Sheikh summons a reluctant Kabir to rescue them. He refuses at first, but when he finally decides to undertake the mission, he arrives at Sadiq's house to find the latter dead. He is suspected of the murder and is interrogated by the intelligence head Arun Joshi, who later allows him to walk free. Upon noticing a man clicking pictures during the cremation of Sadiq, Kabir chases him and instead ends up meeting with analyst Isha Khanna. Decoding a message left by Sadiq before his death, Kabir comes to the conclusion that this mission in Baluchistan would be unsanctioned, and would involve him, Isha and another agent named Veer Singh who has been working undercover for a long time and wants to go home. Teaming up to complete the mission once they meet, Kabir and team face a lot of challenges on their way to Quetta while Arun learns of the unsanctioned mission and starts tracking them. Cast
EpisodesThe episode titles are quotations from Shakespearean plays.
ReleaseThe show features characters interacting in Hindi, Urdu, Pashto and English.[10][11] It premiered on 27 September 2019 on Netflix. ReceptionRohan Naahar of The Hindu Times gave 2 stars and stated "It is one thing to have a poor script to begin with, but the problems metastasise when neither the filmmaking nor the acting is able to elevate it."[12] References
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