Two films had a significant impact of Condon's early life. At the age of twelve, he found himself drawn to screenplay writing with his first viewing of Bonnie and Clyde.[6] In college he saw Sweet Charity (1969), which led to "a lifelong love affair with movies that are reviled and rejected in their time."[4]
After completing college, Condon worked as a journalist for film magazines, including American Film and Millimeter. In 1981, he won "the world's most difficult film trivia quiz" sponsored by The Village Voice.[7]
Condon emerged a few years later directing a series of made-for-TV thrillers, including Murder 101 (1991), which earned Condon and co-writer Roy Johansen a 1992 Edgar Award for their screenplay.[11] During this period he also wrote the screenplay for the thriller F/X2 (1991), which was directed by Australian director Richard Franklin.[12]
In 1994, he directed the television movie The Man Who Wouldn't Die, which was met with mixed reviews.[13] He directed Candyman: Farewell to the Flesh (1995), a sequel to Bernard Rose's 1992 horror film. It was a critical and commercial failure.[14] Reminded years later of this phase of his career, Condon said: "It's hard to be lower on the totem pole than being the director for a sequel to a horror movie."[4]
Condon wrote and directed Gods and Monsters (1998), which was based on a novel by Christopher Bram. His screenplay won the Academy Award for Best Adapted Screenplay. The New York Times said Condon "may have been the most stunned person at the Academy Awards when his name was announced as the winner for the best adapted screenplay. He has struggled for years in Hollywood as a screenwriter and journalist and is unaccustomed to the hoopla that is now around him."[15] He was nominated for the same award for his screenplay for Chicago, based on the Broadway musical of the same name.[16] He received a second Edgar Award for his Chicago screenplay as well.[17]
In 2004 he wrote and directed the film Kinsey, chronicling the life of the controversial sex researcher Alfred Kinsey. In The New York Times, A.O. Scott wrote that "Bill Condon's smart, stirring [film] has a lot to say on the subject of sex, which it treats with sobriety, sensitivity and a welcome measure of humor." He continued: "I can't think of another movie that has dealt with sex so knowledgeably and, at the same time, made the pursuit of knowledge seem so sexy. There are some explicit images and provocative scenes, but it is your intellect that is most likely to be aroused.... Mr. Condon's great achievement is to turn Kinsey's complicated and controversial career into a grand intellectual drama."[18]
Condon wrote the screenplay for and directed Dreamgirls, an adaptation of the acclaimed Broadway musical of the same name. It was released in December 2006. Condon received Directors Guild of America and Broadcast Film Critics Association nominations for directing. The film was nominated for eight Academy Awards in six categories.[20]
Condon was executive producer of the 81st Academy Awards television broadcast that aired on February 22, 2009, working with producer Laurence Mark.[21]
Condon directed The Fifth Estate (2013), a thriller about WikiLeaks starring Benedict Cumberbatch. He said he chose the project for a change of pace and liked its non-ideological approach to a very complex subject. He saw it "in the great tradition of journalistic thrillers".[23] It received mixed responses from critics and underperformed at the box office.[24]
In late 2013, he directed a revised version of the 1997 stage musical Side Show at the La Jolla Playhouse. A production of this revision played in June and July 2014 at the Kennedy Center. Charles Isherwood described it in The New York Times as "a full-scale reimagining" of the musical that involved "the addition and subtraction of several songs ..., the reordering of others", and new dialogue contributed by Condon.[25] That production received excellent reviews when it moved to Broadway in the fall, but it proved a failure at the box office and closed after just seven weeks.[26]
In 2015, Condon directed Mr. Holmes starring Ian McKellen. Condon noted its similarity to Gods and Monsters, not only because of its lead actor but because "[b]oth movies are about aging and mortality. You have a celebrated man facing the decline of his public image."[27]
Condon directed the 2017 Disney's live action film adaptation, based on the animated 1991 film Beauty and the Beast, starring Emma Watson and Dan Stevens.[1] A few weeks before the film's scheduled release on March 17, 2017, Condon announced that one character, LeFou, has "a nice, exclusively gay moment", which resulted in an "internet meltdown" of contrasting support and condemnation.[28]
Condon is a member of the Independent Feature Projects (IFP) in Los Angeles, a non-profit organization which supports independent films, as well as the Independent Writers Steering Committee, which was initiated by the Writers Guild of America (WGA).
^ abcdLui, Claire (March–April 2006). "The Outsider on the Inside". Columbia College Today. Columbia University. Archived from the original on October 9, 2008. Retrieved March 3, 2017.
^Maslin, Janet (October 16, 1981). "A Taste of the 50s in 'Strange Behavior'". The New York Times. Retrieved March 9, 2017. Mr. Condon appears in the film, rather sportingly, as the first kid in Galesville to be hideously murdered by some unidentified demon.
^"Celebrity Watch". The Palm Beach Post. West Palm Beach, Florida. May 6, 2003. p. 53. I had the extreme pleasure of presenting the Edgar Award for best motion picture screenplay to Chicago's Bill Condon at the Hyatt Thursday night.
^Barnes, Brooks (March 1, 2017). "'Beauty and the Beast' Director Talks of 'Exclusively Gay' Moment". The New York Times. Retrieved March 12, 2017. 'LeFou is somebody who on one day wants to be Gaston and on another day wants to kiss Gaston. He's confused about what he wants. It's somebody who's just realizing that he has these feelings.'
^Kilday, Gregg (March 2, 2017). "'Beauty and the Beast' Director on How 'La La Land' Is Bringing Musicals Back". The Hollywood Reporter. Archived from the original on March 3, 2017. Retrieved March 2, 2017. Condon and his longtime partner Jack Morrissey, who works with him as his co-producer, divide their time between New York (where Condon edits his films) and Los Angeles.