Dead Man Walking (film)
Dead Man Walking is a 1995 American crime drama film starring Susan Sarandon and Sean Penn, and co-produced and directed by Tim Robbins, who adapted the screenplay from the 1993 non-fiction book of the same name. It marked Peter Sarsgaard’s film debut. In the film, Sister Helen Prejean (Sarandon) establishes a special relationship with Matthew Poncelet (Penn), a character based on convicted murderers Elmo Patrick Sonnier and Robert Lee Willie. He is a prisoner on death row in Louisiana, and she visits him as his spiritual adviser after corresponding with him. The film was a critical and commercial success; it grossed $83 million on a budget of $11 million and received praise for the performances of Penn and Sarandon, as well as Robbins's direction. Sarandon's performance won her the Academy Award for Best Actress, while Robbins and Penn were nominated for Best Director and Best Actor respectively. Bruce Springsteen was nominated for Best Original Song for the single "Dead Man Walkin'". PlotMatthew Poncelet, a convict sentenced to death for the murder and rape of a teenage couple, has been on death row at the Louisiana State Penitentiary for six years. His accomplice, Carl Vitello, was sentenced to life imprisonment without the possibility of parole. As his scheduled execution date approaches, Poncelet asks Sister Helen Prejean, with whom he has corresponded, to help him with a final appeal. Sister Helen decides to visit Poncelet, who is arrogant, sexist and racist, and does not even pretend to feel remorse. He protests his innocence and insists Vitello killed the two teenagers. Convincing an experienced attorney to take on Poncelet's case pro bono, Sister Helen tries to have his sentence commuted to life imprisonment. After many visits, she establishes a relationship with him. At the same time, she gets to know Poncelet's mother, Lucille, and the families of the two victims. The victims' families do not understand Sister Helen's efforts to help Poncelet and claim that she is "taking his side". They desire "absolute justice" (i.e., his life for those of their children). Sister Helen's application for commutation is rejected. Poncelet asks Sister Helen to be his spiritual adviser through his execution, and she agrees. Sister Helen tells Poncelet that his redemption is possible only if he takes responsibility for what he did. Just before he is taken from his cell, Poncelet tearfully admits to Sister Helen that he had killed the boy and raped the girl, before Vitello killed her. As he is prepared for execution, he appeals to the boy's father for forgiveness and tells the girl's parents that he hopes his death brings them peace. Poncelet is executed by lethal injection and given a proper burial. The murdered boy's father attends the funeral ceremony; although he is still filled with hate, he soon begins to pray with Sister Helen. Cast
SoundtrackCreation and conceptionChristopher Buchanan, an associate producer of a PBS documentary, stated that "In rather broad strokes, it is fair to say the film captures Sonnier's crime and Willie's character."[2] ReceptionBox officeDead Man Walking debuted on December 29, 1995, in the United States. With a budget of $11 million, the film grossed $39,387,284 domestically and $43,701,011 internationally, for a total of $83,088,295 worldwide.[3] Critical responseDead Man Walking was well received by critics. Rotten Tomatoes gives it a 95% positive rating based on reviews from 60 critics, with an average rating of 8.24/10. The site's consensus states: "A powerful, thought-provoking film that covers different angles of its topic without resorting to preaching, Dead Man Walking will cause the viewer to reflect regardless of their political viewpoint."[4] Metacritic gives it a rating of 80/100 based on reviews from 26 critics, indicating "Generally favorable reviews".[5] Hal Hinson of The Washington Post commented: "What this intelligent, balanced, devastating movie puts before us is nothing less than a contest between good and evil."[6] Kenneth Turan of the Los Angeles Times described the acting: "For this kind of straight-ahead movie to work, the acting must be strong without even a breath of theatricality, and in Penn and Sarandon, Dead Man Walking has performers capable of making that happen."[7] Roger Ebert of the Chicago Sun-Times gave the film four stars, his highest rating, and called it "absorbing, surprising, technically superb and worth talking about for a long time afterward."[8] Accolades
Other versionsIn 2002, Tim Robbins, who adapted the book for the film, also wrote a stage version of Dead Man Walking. The book has also been adapted as an opera by the same name, premiering in San Francisco. LegacyYvonne Koslovsky-Golan, author of The Death Penalty in American Cinema: Criminality and Retribution in Hollywood Film, stated that even though public debate on the death penalty increased for a period after the release of Dead Man Walking, the film did not result in "real political or legal change" but encouraged additional academic study on the death penalty.[25] References
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