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Into the Woods
Into the Woods is a 1986 musical with music and lyrics by Stephen Sondheim and book by James Lapine. The musical intertwines the plots of several Brothers Grimm fairy tales, exploring the consequences of the characters' wishes and quests. The main characters are taken from "Little Red Riding Hood" (spelled "Ridinghood" in the published vocal score), "Jack and the Beanstalk", "Rapunzel", "Cinderella", and several others. The musical is tied together by a story involving a childless baker and his wife and their quest to begin a family (the original beginning of the Grimm Brothers' "Rapunzel"), their interaction with a witch who has placed a curse on them, and encounters with other storybook characters during their journey. The second collaboration between Sondheim and Lapine after Sunday in the Park with George (1984), Into the Woods debuted in San Diego at the Old Globe Theatre in 1986 and premiered on Broadway on November 5, 1987, where it won three major Tony Awards (Best Score, Best Book, and Best Actress in a Musical for Joanna Gleason), in a year dominated by The Phantom of the Opera. The musical has since been produced many times, with a 1988 U.S. national tour, a 1990 West End production, a 1997 10th-anniversary concert, a 2002 Broadway revival, a 2010 outdoor Regent's Park Open Air Theatre production in London,[1] which transferred to a Shakespeare in the Park production in New York City, and a 2022 Broadway revival. A Disney film adaptation, directed by Rob Marshall, was released in 2014. The film grossed over $213 million worldwide,[2] and received three nominations at both the Academy Awards and the Golden Globe Awards. SynopsisAct IThe Narrator introduces four characters: Cinderella, who wishes to attend the King's festival; Jack wishes his cow, Milky White, would give milk; a Baker and his Wife wish to have a child; Little Red Ridinghood wishes for bread to bring her Grandmother. The Baker's neighbor, an ugly old Witch, reveals the couple is infertile from a curse she cast on his father for stealing her vegetables, including magic beans. The Witch took the Baker's father's child Rapunzel. She explains the curse will be lifted if she is brought four ingredients – "the cow as white as milk, the cape as red as blood, the hair as yellow as corn, and the slipper as pure as gold" – in three days' time. All begin the journey into the woods: Jack to sell his beloved cow; Cinderella to her Mother's grave; Little Red to her Grandmother's house; and the Baker, refusing his wife's help, to find the ingredients ("Prologue"). Cinderella receives a gown and golden slippers from her Mother's spirit ("Cinderella at the Grave"). A Mysterious Man mocks Jack for valuing his cow more than a "sack of beans". Little Red meets a hungry Wolf ("Hello, Little Girl"). The Baker, followed by his wife, meets Jack. They convince Jack that the beans found in the Baker’s father's jacket are magic and trade them for the cow; Jack bids Milky White a tearful farewell ("I Guess This Is Goodbye"). The Baker has qualms about their deceit, but his wife reassures him ("Maybe They're Magic"). The Witch has raised Rapunzel in a tall tower accessible only by climbing Rapunzel's long, golden hair ("Our Little World"); a Prince spies Rapunzel. The Baker, in pursuit of the red cape, slays the Wolf and rescues Little Red and her Grandmother. Little Red rewards him with her cape, and reflects on her experiences ("I Know Things Now"). Jack's Mother tosses his beans aside, which grow into an enormous stalk. Cinderella flees the festival, again pursued by the Prince, and the Baker’s Wife hides her; asked about the ball, Cinderella is nonplussed ("A Very Nice Prince"). Spotting Cinderella's gold slippers, the Baker’s Wife chases her and loses Milky White. The characters recite morals as the day ends ("First Midnight"). Jack describes his adventure climbing the beanstalk ("Giants in the Sky"). He gives the Baker gold stolen from the giants to buy back his cow, and returns up the beanstalk to find more; the Mysterious Man steals the money. Cinderella's Prince and Rapunzel's Prince, who are brothers, compare their unobtainable amours ("Agony"). The Baker's Wife overhears their talk of a girl with golden hair. She fools Rapunzel and takes a piece of her hair. The Mysterious Man returns Milky White to the Baker. The Baker's Wife again fails to seize Cinderella’s slippers. The Baker admits they must work together ("It Takes Two"). Jack arrives with a hen that lays golden eggs, but Milky White keels over dead as midnight chimes ("Second Midnight"). The Witch discovers the Prince’s visits and demands Rapunzel stay sheltered from the world ("Stay with Me"). She refuses, and the Witch cuts off Rapunzel's hair and banishes her to a remote desert. The Mysterious Man gives the Baker money for another cow. Jack meets Little Red, now sporting a wolf skin cape and knife. She goads him into returning to the Giant's home. Cinderella, torn between staying with her Prince or escaping, leaves him a slipper as a clue ("On the Steps of the Palace"), and trades shoes with the Baker's Wife. The Baker arrives with another cow; they now have all four items. A great crash is heard, and Jack's Mother reports a dead giant in her backyard. Jack returns with a magic harp. The Witch discovers the new cow is covered with flour, and is thus useless, and resurrects Milky White, who is fed the ingredients but fails to give milk. The Witch explains Rapunzel’s hair will not work as she could not have touched the ingredients, and the Mysterious Man offers corn silk instead; Milky White produces the potion. The Witch reveals the Mysterious Man is the Baker's father, and she drinks – he falls dead, the curse is broken, and the Witch regains her youth and beauty. Cinderella's Prince seeks the girl who fits the slipper; the desperate stepsisters mutilate their feet ("Careful My Toe"). Cinderella succeeds and becomes his bride. Rapunzel bears twins and is found by her Prince. The Witch finds her powers are gone. At Cinderella's wedding, her stepsisters are blinded by birds, and the Baker's Wife, now pregnant, thanks Cinderella for her help. Congratulating themselves on living happily "Ever After," no one notices another beanstalk growing. Act IIThe Narrator continues, "once upon a time... later." Everyone still has wishes: the Baker and his wife face new frustrations with their infant son; newly rich Jack misses the kingdom in the sky; Cinderella is bored with life in the palace ("So Happy"). With a tremendous crash, a giant’s foot destroys the Witch's garden. The Baker travels to the palace, but his warning is ignored by the Prince's Steward, and by Jack's Mother. Returning home, he finds Little Red on her way to Granny's; he and his wife escort her. Jack decides to slay the giant and Cinderella investigates her Mother's disturbed grave. Everyone returns to the woods, but now "the skies are strange, the winds are strong" ("Into the Woods" reprise). Rapunzel, driven mad, also flees to the woods. Her Prince follows and meets his brother; they confess their lust for two new women, Snow White and Sleeping Beauty. The Baker, his wife, and Little Red find Cinderella's family and the Steward, who reveal the castle was set upon by the giant. The Witch brings news that the giant destroyed the village and the baker's house. The Giantess – widow of the Giant Jack killed – appears, seeking revenge. As a sacrifice, the group offer up the Narrator, who is killed. Jack's Mother defends her son, angering the Giantess, and the Steward silences Jack's Mother, inadvertently killing her. As the Giantess leaves in search of Jack, Rapunzel is trampled ("Witch's Lament"). The royal family flee despite the Baker's pleas to stay and fight. The Witch vows to find Jack and give him to the Giantess, and the Baker and his wife split up to find him first. Cinderella's Prince seduces the Baker’s Wife ("Any Moment"). The Baker convinces Cinderella to join their group. The Baker's Wife reflects on her adventure ("Moments in the Woods"), but before she can go back to the Baker, she is crushed by the Giantess. The Baker, Little Red, and Cinderella await the return of the Baker's Wife when the Witch arrives with Jack, found weeping over the Baker's Wife's body. The characters blame each other before turning on the Witch ("Your Fault"). Chastising their inability to accept the consequences of their own actions, the Witch throws away the remaining beans and vanishes ("Last Midnight"). Grief-stricken, the Baker flees, but is convinced by his father's spirit to face his responsibilities ("No More"). He returns and lays out a plan to kill the Giantess. Cinderella stays behind with the Baker's child and confronts her Prince over his infidelity; he explains his feelings of unfulfillment, and she asks him to leave. Little Red discovers her Grandmother has been killed by the Giantess, as the Baker tells Jack that his mother is dead. Jack vows to kill the Steward but the Baker dissuades him, while Cinderella comforts Little Red. The Baker and Cinderella explain that choices have consequences, and everyone is connected ("No One Is Alone"). The four together slay the Giantess, and the other characters – including the royal family, who have starved to death, and the Princes with their new paramours – return to share one last set of morals. The survivors band together, and the spirit of the Baker's Wife comforts her mourning husband, encouraging him to tell their child their story. The Baker begins to tell his son the tale, while the Witch offers a final lesson: "Careful the things you say, Children Will Listen" ("Finale"). Musical numbers
DevelopmentThe development of Into the Woods first started when James Lapine and Stephen Sondheim came together for their second collaborative project after Sunday in the Park with George. Lapine and Sondheim said that they wanted a fairy tale–themed musical. They tried writing their own quest fairy tale, but this was scrapped. Lapine suggested to combine several folktales into one musical. They discussed incorporating One Thousand and One Nights stories, or styling the production as fantasy computer game.[3] "Into the Woods" first appeared as a workshop performance at the Old Globe Theatre in San Diego on December 4, 1986, which ran for 50 performances under the direction of Lapine. Many of the performers from that production were kept for the Broadway cast. Kay McClelland, who played Rapunzel and Florinda in San Diego, went to Broadway but only played Florinda.[4] Through the run, dialogue, plot details, and songs were being rewritten or even cut out entirely. For example, the Baker's Wife in the Old Globe production was not crushed by the Giantess. Instead, she ate a poisoned apple, in the manner of "Snow White". A reference to "The Three Little Pigs" was present in San Diego, and then later returned for the 2002 Broadway revival.[5][3] The song "Giants In The Sky" had different lyrics, and "So Happy", "Lament", and "Second Midnight" had extra lyrics. Many longer versions of the songs were cut for Broadway, but the longer version of "Lament" was preserved in the Broadway cast recording and was used in later productions.[6] ProductionsOriginal Broadway productionInto the Woods opened on Broadway at the Martin Beck Theatre on November 5, 1987, and closed on September 3, 1989, after 765 performances. It starred Bernadette Peters as the Witch, Joanna Gleason as the Baker's Wife, Chip Zien as the Baker, Robert Westenberg as the Wolf/Cinderella's Prince, Tom Aldredge as the Narrator/Mysterious Man, Kim Crosby as Cinderella, Danielle Ferland as Little Red Ridinghood, Ben Wright as Jack, Chuck Wagner as Rapunzel's Prince, Barbara Bryne as Jack's Mother, Pamela Winslow as Rapunzel, Merle Louise as Cinderella's Mother/Granny/Giantess, Edmund Lyndeck as Cinderella's father, Joy Franz as Cinderella's Stepmother, Philip Hoffman as the Steward, Lauren Mitchell as Lucinda, Kay McClelland as Florinda, Jean Kelly as Snow White, and Maureen Davis as Sleeping Beauty. It was directed by Lapine, with musical staging by Lar Lubovitch, settings by Tony Straiges, lighting by Richard Nelson, costumes by Ann Hould-Ward (based on original concepts by Patricia Zipprodt and Ann Hould-Ward), and makeup by Jeff Raum. The original production won the 1988 New York Drama Critics' Circle Award and the Drama Desk Award for Outstanding Musical, and the original cast recording won a Grammy Award for Best Musical Theater Album at the 31st Annual Grammy Awards. The show was nominated for ten Tony Awards at the 42nd Tony Awards, and won three: Best Original Score (Stephen Sondheim), Best Book (Lapine) and Best Actress in a Musical (Gleason). Peters left the show after almost five months due to a prior commitment to film the movie Slaves of New York.[7] The Witch was then played by Betsy Joslyn (from March 30, 1988);[8] Phylicia Rashad (from April 14, 1988); Betsy Joslyn again (from July 5, 1988); Nancy Dussault (from December 13, 1988);[9] and Ellen Foley (from August 1, 1989, until the closing).[10] Understudies for the part included Joslyn, Marin Mazzie, Lauren Vélez, Suzzanne Douglas, and Joy Franz. Other cast replacements included Dick Cavett as the Narrator (as of July 19, 1988, as a temporary engagement after which Aldredge returned), Edmund Lyndeck as the Mysterious Man, Patricia Ben Peterson as Cinderella, LuAnne Ponce returning as Little Red, Jeff Blumenkrantz as Jack, Marin Mazzie as Rapunzel (as of March 7, 1989), Dean Butler and Don Goodspeed as Rapunzel's Prince, Susan Gordon Clark as Florinda, Teresa Burrell as Lucinda, Adam Grupper as the steward, Cindy Robinson and Heather Shulman as Snow White, and Kay McClelland, Lauren Mitchell, Cynthia Sikes, and Mary Gordon Murray as the Baker's Wife.[10] In 1989, from May 23 to May 25 the full original cast (with the exception of Cindy Robinson as Snow White instead of Jean Kelly) reunited for three performances to tape the show in its entirety for the Season 10 premiere episode of PBS's American Playhouse, which first aired on March 15, 1991. The show was filmed professionally with seven cameras on the set of the Martin Beck Theatre in front of an audience, with certain elements slightly changed for the recording in order to better fit the screen, such as the lighting and minor costume differences. There were also pick-up shots not filmed in front of an audience for various purposes. This video has since been released on VHS and DVD and, on occasion, remastered and rereleased.[11] Tenth Anniversary benefit performances were held on November 9, 1997, at the Broadway Theatre (New York), with most of the original cast.[12] Original cast understudies Chuck Wagner and Jeff Blumenkrantz played the Wolf/Cinderella's prince and the Steward in place of Robert Westenberg and Philip Hoffmann, while Jonathan Dokuchitz (who joined the Broadway production as an understudy in 1989) played Rapunzel's Prince in place of Wagner. This concert featured the duet "Our Little World", written for the first London production of the show. On November 9, 2014, most of the original cast reunited for two reunion concerts and discussion in Costa Mesa, California. Mo Rocca hosted the reunion and interviewed Sondheim, Lapine, and each cast member. Appearing were Bernadette Peters, Joanna Gleason, Chip Zien, Danielle Ferland, Ben Wright and husband and wife Robert Westenberg and Kim Crosby.[13] The same group presented this discussion/concert on June 21, 2015, at the Brooklyn Academy of Music, New York City.[14] 1988 US tour productionA U.S. tour started performances on November 22, 1988. The cast included Cleo Laine as the Witch, Rex Robbins as the Narrator and Mysterious Man, Ray Gill and Mary Gordon Murray as the Baker and his wife, Kathleen Rowe McAllen as Cinderella, Chuck Wagner as the Wolf/Cinderella's Prince, Douglas Sills as Rapunzel's Prince, Robert Duncan McNeill and Charlotte Rae as Jack and his mother, Marcus Olson as the Steward, and Susan Gordon Clark reprising her role as Florinda from the Broadway production. The set was almost completely reconstructed, and there were certain changes to the script, changing certain story elements. Cast replacements included Betsy Joslyn as the Witch, Peter Walker as the Narrator/Mysterious Man, James Weatherstone as the Wolf/Cinderella's Prince, Jonathan Hadley as Rapunzel's Prince, Marcus Olson as the Baker, later replaced by Adam Grupper (who understudied the role on Broadway), Judy McLane as the Baker's Wife, Nora Mae Lyng as Jack's Mother, later replaced by Frances Ford, Stuart Zagnit as the Steward, Jill Geddes as Cinderella, later replaced by Patricia Ben Peterson, and Kevin R. Wright as Jack. The tour[15] played cities around the country, such as Fort Lauderdale, Florida, Los Angeles, and Atlanta.[16][17] The tour ran at the John F. Kennedy Center for the Performing Arts from June to July 16, 1989, with The Washington Post's reviewer writing: "his lovely score—poised between melody and dissonance—is the perfect measure of our tenuous condition. The songs invariably follow the characters' thinking patterns, as they weigh their options and digest their experience. Needless to say, that doesn't make for traditional show-stoppers. But it does make for vivacity of another kind. And Sondheim's lyrics...are brilliant.... I think you'll find these cast members alert and engaging."[18] Original London production.jpg) The original West End production opened on September 25, 1990, at the Phoenix Theatre and closed on February 23, 1991, after 197 performances. It was directed by Richard Jones and produced by David Mirvish, with set design by Richard Hudson, choreography by Anthony Van Laast, costumes by Sue Blane, and orchestrations by Jonathan Tunick. The cast featured Julia McKenzie as the Witch, Ian Bartholomew as the Baker, Imelda Staunton as the Baker's Wife and Clive Carter as the Wolf/Cinderella's prince. The show received seven Olivier Award nominations in 1991, winning Best Actress in a Musical (Staunton) and Best Director of a Musical (Jones). The song "Our Little World" was added.[19] This song was a duet for the Witch and Rapunzel giving further insight into the Witch's care for her self-proclaimed daughter and the desire Rapunzel has to see the world outside her tower. The show's overall feel was darker than that of the original Broadway production. Critic Michael Billington wrote: "But the evening's triumph belongs also to director Richard Jones, set designer Richard Hudson and costume designer Sue Blane who evoke exactly the right mood of haunted theatricality. Old-fashioned footlights give the faces a sinister glow. The woods themselves are a semi-circular, black-and-silver screen punctuated with nine doors and a crazy clock: they achieve exactly the 'agreeable terror' of Gustave Doré's children's illustrations. And the effects are terrific: doors open to reveal the rotating magnified eyeball or the admonitory finger of the predatory giant."[20] 1998 London revival productionA new intimate production of the show opened (billed as the first London revival) at the Donmar Warehouse on 16 November 1998, closing on 13 February 1999. It was directed by John Crowley and designed by his brother, Bob Crowley. The cast included Clare Burt as the Witch, Nick Holder as the Baker, Sophie Thompson as the Baker's Wife, Jenna Russell as Cinderella, Sheridan Smith as Little Red, Damian Lewis as the Wolf/Cinderella's Prince, and Frank Middlemass as the Narrator.[21] Russell later appeared as the Baker's Wife in the 2010 Regent's Park production. Thompson won the 1999 Laurence Olivier Award for Best Actress in a Musical, while the production was nominated for Outstanding Musical Production. 2002 Broadway revival production.jpg) A revival opened at the Ahmanson Theatre in Los Angeles, running from February 1 to March 24, 2002. It was directed and choreographed with the same principal cast that later ran on Broadway.[22] The 2002 Broadway revival, directed by Lapine and choreographed by John Carrafa, began previews on April 13, 2002, and opened April 30 at the Broadhurst Theatre, closing on December 29 after a run of 18 previews and 279 regular performances.[23] It starred Vanessa Williams as the Witch, John McMartin as the Narrator/Mysterious Man, Stephen DeRosa as the Baker, Kerry O'Malley as the Baker's Wife, Gregg Edelman as the Wolf/Cinderella's prince, Christopher Sieber as the Wolf/Rapunzel's prince, Molly Ephraim as Little Red, Adam Wylie as Jack, and Laura Benanti as Cinderella. Judi Dench provided the Giantess's pre-recorded voice. Lapine revised the script slightly for this production, with a cameo appearance of the Three Little Pigs restored from the earlier San Diego production.[24][25][26] Other changes, apart from numerous small dialogue changes, included the addition of the song "Our Little World", the addition of a second wolf who ogles the Three Little Pigs (portrayed by the same actor as Rapunzel's prince), the portrayal of Jack's cow by a live performer ( Chad Kimball) in an intricate costume, and new lyrics for "Last Midnight", now a menacing lullaby sung by the Witch to the Baker's baby, and the ending also got new lyrics. The Witch starts aging again due to her losing the beans, and she sinks into the stage crying out: "Mother, here I come!", as opposed to the traditional "and the boom–crunch!"[5][26] This production featured scenic design by Douglas W. Schmidt, costume design by Susan Hilferty, lighting design by Brian MacDevitt, sound design by Dan Moses Schreier and projection design by Elaine J. McCarthy. The revival won Tonys for the Best Revival of a Musical and Best Lighting Design at the 56th Tony Awards.[27] This Broadway revival wardrobe is on display at Costume World in Pompano Beach, Florida. London Royal Opera House, 2007A revival at the Royal Opera House's Linbury Studio in Covent Garden had a limited run from June 14 to 30, 2007, followed by a short stint at The Lowry theatre, Salford Quays, Manchester on 4–7 July. The production mixed opera singers, musical theatre actors, and film and television actors, including Anne Reid as Jack's mother and Gary Waldhorn as the narrator. Directed by Will Tuckett, it received mixed reviews, although there were clear standout performances.[28][29][30] The production completely sold out three weeks before opening. As this was an "opera" production, the show and its performers were overlooked in the "musical" nominations for the 2008 Laurence Olivier Awards. It featured Suzie Toase (Little Red), Peter Caulfield (Jack), Beverley Klein (Witch), Anna Francolini (Baker's Wife), Clive Rowe (Baker), Nicholas Garrett (Wolf/Cinderella's Prince), and Lara Pulver (Lucinda). This was the second Sondheim musical to be staged by the Opera House, following 2003's Sweeney Todd: The Demon Barber of Fleet Street. Regent's Park Open Air Theatre production, 2010The Olivier Award-winning Regent's Park Open Air Theatre production, directed by Timothy Sheader and choreographed by Liam Steel, ran for a six-week limited season from 6 August to 11 September 2010. The cast included Hannah Waddingham as the Witch, Mark Hadfield as the Baker, Jenna Russell as the Baker's Wife, Helen Dallimore as Cinderella, Michael Xavier as the Wolf/Cinderella's prince, and Judi Dench as the recorded voice of the Giantess. Gareth Valentine was the Musical Director.[31][32] The musical was performed outdoors in a wooded area. Whilst the book remained mostly unchanged, the subtext of the plot was dramatically altered by casting the role of the Narrator as a young school boy lost in the woods following a family argument – a device used to further illustrate the musical's themes of parenting and adolescence. The production opened to wide critical acclaim, much of the press commenting on the effectiveness of the open air setting. The Daily Telegraph reviewer, for example, wrote: "It is an inspired idea to stage this show in the magical, sylvan surroundings of Regent's Park, and designer Soutra Gilmour has come up with a marvellously rickety, adventure playground of a set, all ladders, stairs and elevated walkways, with Rapunzel discovered high up in a tree."[33] The New York Times reviewer commented: "The natural environment makes for something genuinely haunting and mysterious as night falls on the audience".[34] Sondheim attended twice, reportedly extremely pleased with the production. The production also won the Laurence Olivier Award for Best Musical Revival and Xavier was nominated for the Laurence Olivier Award for Best Performance in a Supporting Role in a Musical at the 2011 Laurence Olivier Awards. Central Park Delacorte Theater production, 2012The Regent's Park Open Air Theatre production transferred to the Public Theater's 2012 summer series of free performances Shakespeare in the Park at the Delacorte Theater in Central Park, New York, with an American cast as well as new designers.[35] Sheader again was the director and Steel served as co-director and choreographer. Performances were originally to run from July 24 (delayed from July 23 due to the weather) to August 25, 2012, but the show was extended till September 1.[36] The cast included Amy Adams as the Baker's Wife, Donna Murphy as the Witch, Denis O'Hare as the Baker, Chip Zien (the Baker in the 1987 Broadway cast) as the Mysterious Man/Cinderella's father, Ivan Hernandez as the Wolf/Cinderella's prince, Jessie Mueller as Cinderella, Jack Broderick as the young Narrator, Gideon Glick as Jack, Cooper Grodin as Rapunzel's Prince, Sarah Stiles as Little Red, Josh Lamon as the Steward, and Glenn Close as the voice of the Giantess. The set was a "collaboration between original Open Air Theatre designer Soutra Gilmour and...John Lee Beatty, [and] rises over 50 feet in the air, with a series of tree-covered catwalks and pathways."[37] The production was dedicated to Nora Ephron, who had died earlier in 2012. In February and May 2012, reports of a possible Broadway transfer surfaced with the production's principal actors in negotiations to reprise their roles.[38][39] In January 2013, it was announced that the production would not transfer to Broadway due to scheduling conflicts.[40] Hollywood Bowl production, 2019For its annual fully staged musical event, the Hollywood Bowl produced a limited run of Into the Woods from July 26–28, 2019, directed and choreographed by Robert Longbottom.[41] The cast included Skylar Astin as the Baker, Sutton Foster as the Baker's Wife, Patina Miller as the Witch, Sierra Boggess as Cinderella, Cheyenne Jackson as the Wolf/Cinderella's Prince, Chris Carmack as Rapunzel's Prince, Gaten Matarazzo as Jack, Anthony Crivello as the Mysterious Man, Edward Hibbert as the Narrator, Shanice Williams as Little Red, Hailey Kilgore as Rapunzel, Rebecca Spencer as Jack's Mother, original Broadway cast member Gregory North as Cinderella's father, and Whoopi Goldberg as the voice of the Giantess[42] The production featured Ann Hould-Ward's costumes from the Original Broadway Production. 2022 Encores! productionIn November 2020, it was announced that New York City Center would stage Into the Woods as part of its Encores! series.[43] In August 2021, it was announced that Christian Borle, Sara Bareilles, Ashley Park, and Heather Headley had joined the cast as, respectively, the Baker, his wife, Cinderella, and the Witch. Park was initially scheduled to star in the Encores! production of Thoroughly Modern Millie, but it was canceled due to the COVID-19 pandemic.[44] Headley had played the Witch at The Muny in 2015. In December 2021, High School Musical: The Musical: The Series star Julia Lester joined the cast as Little Red Ridinghood, alongside Shereen Pimentel as Rapunzel, Jordan Donica as her Prince, and Cole Thompson as Jack.[45] In March 2022, it was revealed that Denée Benton had replaced Park as Cinderella, with other cast members including Gavin Creel as the Wolf/Cinderella's Prince, Annie Golden as Cinderella's Giantess, Ann Harada as Jack's Mother, David Patrick Kelly as the Narrator/Mysterious Man, Tiffany Denise Hobbs as Lucinda (later replaced by Ta'Nika Gibson), Brooke Ishibashi as Florinda, Kennedy Kanagawa as Milky White, Lauren Mitchell (who played Lucinda in the 1987 Broadway production) as Cinderella's Stepmother, and David Turner as the Steward.[46] In April 2022, Neil Patrick Harris was announced as playing the Baker, replacing Borle due to a schedule conflict. Albert Guerzon also joined the cast as Cinderella's father.[47] Jason Forbach, Mary Kate Moore, and Cameron Johnson were the production's swings. After Jordan Donica tested positive for COVID-19, Jason Forbach played Rapunzel's Prince for the first week of performances. The production ran from May 4–15, 2022, and was directed by Encores! artistic director Lear deBessonet.[48] This was the final Encores! show to have Rob Berman conducting the Encores! orchestra.[49] 2022 Broadway revival production Fewer than two weeks after closing the limited engagement at Encores!, it was announced that the production would transfer to Broadway at the St. James Theatre.[50] The Broadway production officially opened on July 10, 2022 (with previews having begun on June 28), to universally positive reviews.[51] Most of the Encores! cast transferred, with the additions of Brian d'Arcy James as the Baker, Patina Miller as the Witch, Phillipa Soo as Cinderella, and Joshua Henry as Rapunzel's Prince.[52] Other new cast members included Nancy Opel as Cinderella's Stepmother, Aymee Garcia as Jack's Mother, Alysia Velez as Rapunzel, and Paul Kreppel, Diane Phelan, Alex Joseph Grayson, Felicia Curry, Delphi Borich, and Lucia Spina as understudies.[53] From July 24 to August 2, Cheyenne Jackson temporarily filled in for Gavin Creel as the Wolf and Cinderella's Prince, reprising his roles from the Hollywood Bowl production.[54] On July 18, 2022, Sara Bareilles revealed on her Instagram Stories that a cast album of this production was being recorded.[55][56] During July, it was announced that the production, originally scheduled for an eight-week run, had extended its run through October 16.[57] On August 4, 2022, it was announced that the entire Broadway cast would remain with the show through September 4.[58] On September 6, married couple Stephanie J. Block and Sebastian Arcelus replaced Bareilles and James as the Baker's Wife and the Baker. Other replacements included Krysta Rodriguez as Cinderella, Katy Geraghty replacing Julia Lester as Little Red, and Jim Stanek replacing David Turner as the Steward. Montego Glover also began sharing the role of the Witch with Miller, and Andy Karl played a limited run as the Wolf/Cinderella's Prince from September 6–15, filling in for Creel. Ann Harada joined the cast reprising her role as Jack's mother from the Encores! production on September 27.[59] During that same month, it was announced that the production was given a final extension through January 8, 2023.[60] On September 22, it was announced that James would return to the cast as the Baker starting October 25, and Karl would also return, this time as Rapunzel's Prince, starting October 11.[61] The cast album was released on September 30.[62] On October 25, it was announced that Denée Benton would join the cast reprising her role as Cinderella from the Encores! production on November 21. She left the production on December 24.[63] On November 17, it was announced that Joaquina Kalukango would start playing the Witch from December 16 to the show's closing date January 8.[64] Karl's extended run[65] ended December 2 for the return of Henry.[66] That same day, the cast recording was released on CD.[67] On December 15, it was announced that understudy Diane Phelan would take over as Cinderella on December 26 for the last two weeks of the show's run. It was also announced that Arcelus would return to the production, replacing James as the Baker, starting January 3.[68] The Broadway production closed on January 8, 2023.[69] The final Broadway cast was Kalukango as the Witch, Arcelus and Block as the Baker and his Wife, Creel as the Wolf/Cinderella's Prince, Phelan as Cinderella, Cole Thompson as Jack, Geraghty as Little Red Ridinghood, Henry as Rapunzel's Prince, David Patrick Kelly as the Narrator/Mysterious Man, Harada as Jack's Mother, Opel as Cinderella's Stepmother, Velez as Rapunzel, Stanek as the Steward, Annie Golden as Cinderella's Mother/Granny/Giantess, Brooke Ishibashi as Florinda, Ta'Nika Gibson as Lucinda, Albert Guerzon as Cinderella's father/puppeteer, Kennedy Kanagawa as Milky White/puppeteer, and Jason Forbach, Mary Kate Moore, Cameron Johnson, Kreppel, Grayson, Curry, Borich, Spina, and Sam Simahk as understudies.[70] The production's cast recording won the Grammy Award for Best Musical Theater Album at the 65th Annual Grammy Awards.[71] The recording was released on vinyl on March 17, 2023.[67] The production was nominated for six awards at the 76th Tony Awards.[72] Theatre Royal, Bath, 2022In December 2021, it was announced that a new production of Into the Woods would take place at the Theatre Royal in Bath for 4 weeks, starting on August 17.[73] It was directed by Terry Gilliam and Leah Hausman, who already worked together for the staging of two operas by Hector Berlioz at the English National Opera: The Damnation of Faust in 2011 and Benvenuto Cellini in 2014. The show was first booked for the Old Vic Theatre in 2020 but was delayed due to the COVID-19 pandemic and then canceled altogether. The cast included Julian Bleach as the Mysterious Man, Nicola Hughes as the Witch, Rhashan Stone as the Baker, Alex Young as the Baker's Wife, Nathanael Campbell as the Wolf and Cinderella's Prince, Audrey Brisson as Cinderella, Barney Wilkinson as Jack, Gillian Bevan as Jack's Mother, Charlotte Jaconelli as Florinda, Maria Conneeley as Rapunzel, and Lauren Conroy as Little Red Ridinghood in her first professional stage debut. Milky White was played in pantomime by the dancer Faith Prendergast. The music director was Stephen Higgins and Jon Bausor was in charge of the production design and Anthony McDonald of the costumes. In contrast to the simultaneous Broadway revival, this production was quite visual, with elaborate sets and props, its conceit being that the characters are figures in a Victorian toy theatre a young girl is playing with.[74] The toy theatre was taking full-stage with "giant" props (cans of beans, a watch, a vase, a doll) appearing throughout and used by the characters as elements of setting (for example, Rapunzel's tower is a pile of bean cans).[75] Slapstick was also emphasized, "done in the spirit of what Sondheim has written".[76] Lapine and Sondheim supported this new vision,[77][78] and Sondheim gave his approval for the cast before he died.[79] Sondheim also discussed the production with the directors over Zoom. Allegedly he liked what he saw so much that he fell off his chair laughing.[80] Terry Gilliam had met with Sondheim in the 1990s for a film adaptation of the show that Paramount Pictures was supposed to produce, with Robin Williams and Emma Thompson as the Baker and Baker's Wife, but Gilliam refused to do it because he thought the script less good than the original.[80] The show opened to overall positive reviews, critics praising this "hallucinogenic take",[81] with its "imaginative imagery"[82] and "sheer spectacle"[83] and acclaiming Leah Hausman's "particularly crisp" choreography,[82] while some regretted a lack of an "emotional connection between the characters and the audience"[84] and feeling that "nothing quite develops its emotional power as much as it might".[85] Yet all recognize the strength and the vocal talent of the cast. Special compliments often go to the "outstanding work"[86] of Faith Prendergast as Milky White, The Guardian going as far as calling it "the most characterful presence" on the stage. The show was announced to transfer to a West End theatre in late 2022 or early 2023, however this never occurred.[87] 2023 US tour productionOn December 6, 2022, it was announced that the 2022 Broadway revival production would tour the U.S. in 2023, starting on February 18. It starred Montego Glover as the Witch, Sebastian Arcelus and Stephanie J. Block as the Baker and his Wife, Gavin Creel as the Wolf/Cinderella's Prince, Cole Thompson as Jack, Katy Geraghty as Little Red, David Patrick Kelly as the Narrator/Mysterious Man, Nancy Opel as Cinderella's Stepmother, Aymee Garcia as Jack's Mother (from Boston onward), Ta'Nika Gibson as Lucinda, Brooke Ishibashi as Florinda, Jim Stanek as the Steward, Alysia Velez as Rapunzel, and Kennedy Kanagawa as Milky White/puppeteer, all reprising their Broadway roles.[88] On December 15, it was announced that Diane Phelan would reprise her role as Cinderella on tour.[89] On January 17, the rest of the cast was announced, including Broadway understudies Jason Forbach and Felicia Curry as Rapunzel's Prince and the Giantess/Cinderella's Mother/Granny respectively. Other cast members included Rayanne Gonzales as Jack's Mother (in Buffalo and Washington, D.C. only), Josh Breckenridge as Cinderella's father/puppeteer, and Paul Kreppel, Sam Simahk, Erica Durham, Ellie Fishman, Marya Grandy, Ximone Rose, and Eddie Lopez as understudies.[90] On January 31, it was announced the production was extending its Boston engagement by another week. It was also announced Arcelus and Block would not perform six days of the engagement.[91] On February 25–26, Andy Karl reprised his Broadway role of Rapunzel's Prince during the opening weekend of the tour's engagement in Washington, D.C. while Forbach stepped into the role of the Baker for Arcelus, who was recovering from an injury sustained earlier in the week.[92] Forbach filled in for Arcelus for over two weeks.[93] On February 28, Forbach announced on his Instagram Stories that he would play the Baker during Arcelus's absence in Boston.[94] Understudy Sam Simahk played Rapunzel's Prince in his place.[95] On March 1, it was announced during "Wonderstudy Wednesday" on Instagram that understudy Ximone Rose would play the Baker's Wife during Block's absence in Boston.[96] From March 28 to April 2, Cameron Johnson reprised his role as an understudy while Simahk played Rapunzel's Prince.[97] Durham took over from Ishibashi as Florinda on July 5 and Sabrina Santana joined the cast as an understudy.[98] Krysta Rodriguez and Albert Guerzon reprised their roles of Cinderella and Cinderella's father/puppeteer from the Broadway production on July 13 and July 18 respectively and played the roles until the tour closed on July 30.[99] The production ran for a ten-city engagement tour, visiting Shea's Performing Arts Center in Buffalo, New York, the Kennedy Center Opera House in Washington, D.C., the Emerson Colonial Theatre in Boston, the Miller Theater in Philadelphia, the Blumenthal Performing Arts Center in Charlotte, North Carolina, the James M. Nederlander Theatre in Chicago, the Curran Theatre in San Francisco, the Ahmanson Theatre in Los Angeles, the Tennessee Performing Arts Center in Nashville, Tennessee, and the Dr. Phillips Center in Orlando, Florida.[100] Other productionsA production played in Sydney from 19 March 1993 to 5 June 1993 at the Drama Theatre, Sydney Opera House. It starred Judi Connelli as the Witch, Geraldine Turner as the Baker's Wife, Tony Sheldon as the Baker, Philip Quast as the Wolf/Cinderella's Prince, Pippa Grandison as Cinderella, Sharon Millerchip as Little Red Ridinghood, and D. J. Foster as Rapunzel's Prince.[101] Melbourne Theatre Company played from 17 January 1998 to 21 February 1998 at the Playhouse, Victorian Arts Centre. It starred Rhonda Burchmore as the Witch, John McTernan as the Baker, Gina Riley as the Baker's Wife, Lisa McCune as Cinderella, Robert Grubb as the Wolf/Cinderella's Prince, Peter Carroll as the Narrator/Mysterious Man, and Tamsin Carroll as Little Red Ridinghood.[102][103] In 2000, there was a production starring Pat Harrington, Jr. as the Narrator, Brian d'Arcy James as the Baker, Leah Hocking as the Baker's Wife, Tracy Katz as Little Red, Liz McCartney as the Witch, and Patricia Ben Peterson as Cinderella at the Ordway Center for the Performing Arts.[104][105] In 2009, a production was done in Sacramento, California by the Wells Fargo Pavilion. It starred Yvette Cason as the Witch, Jeffry Denman as the Baker, Vicki Lewis as his wife, Tracy Katz reprising her role as Little Red Ridinghood from the first national tour, Jason Forbach as the Wolf/Rapunzel's Prince, Gordon Goodman as Cinderella's Prince, Kim Huber as Cinderella, Matthew Wolpe as Jack, and Michael G. Hawkins as the Narrator/Mysterious Man.[106] The first professional Spanish language production, Dentro del Bosque, was produced by University of Puerto Rico Repertory Theatre and premiered in San Juan at Teatro de la Universidad (University Theatre) on March 14, 2013. The cast included Víctor Santiago as the baker, Ana Isabelle as the Baker's Wife and Lourdes Robles as the Witch.[107] A 25th-anniversary co-production between Baltimore's Center Stage and Westport Country Playhouse directed by Mark Lamos was notable for casting original Little Red Ridinghood, Danielle Ferland, as the Baker's Wife. The cast included Erik Liberman as the baker, Lauren Kennedy as the Witch, Jeffry Denman as the Narrator, Nik Walker as the Wolf/Cinderella's Prince, Dana Steingold as Little Red Ridinghood, Justin Scott Brown as Jack, Jenny Latimer as Cinderella, Cheryl Stern as Jack's Mother, Robert Lenzi as Rapunzel's Prince/Cinderella's father, Alma Cuervo as Cinderella's Stepmother/Granny/Giantess, Britney Coleman as Rapunzel/Cinderella's Mother, Nikka Lanzarone as Florinda, Eleni Delopoulos as Lucinda, and Jeremy Lawrence as the Mysterious Man.[108][109] The production received 2011–2012 Connecticut Critics Circle Awards for Best Production, Best Ensemble, and Steingold's Little Red Ridinghood.[110] In 2014, a production premiered in Paris, France at the Paris' Théâtre du Châtelet from April 1–12. It starred Nicholas Garrett as the baker, Francesca Jackson as Little Red Ridinghood, Kimy McLaren as Cinderella, Christine Buffle as the Baker's Wife, Beverley Klein as the Witch, Pascal Charbonneau and Rebecca de Pont Davies as Jack and his mother, Damian Thantrey as the Wolf/Cinderella's Prince, David Curry as the Wolf/Rapunzel's Prince, Louise Alder as Rapunzel, and Fanny Ardant as the voice of the Giantess.[111] The Roundabout Theatre production, directed by Noah Brody and Ben Steinfeld, began performances Off-Broadway at the Laura Pels Theatre on December 19, 2014, in previews, officially on January 22, 2015, and closed on April 12, 2015.[112][113] Like the original Broadway production 28 years prior, this production had a try-out run at the Old Globe Theatre in San Diego, California from July 12, 2014 – August 17, 2014 with the opening night taking place on July 17.[114] This new version is completely minimalistically reimagined by the Fiasco Theater Company, featuring only ten actors playing multiple parts, and one piano accompanist.[115] A national tour of this production began on November 29, 2016.[116] The DreamCatcher Theatre production opened in January 2015 and played a sold-out run at the Adrienne Arsht Center in Miami, Florida. Tituss Burgess starred as the Witch, the first male actor to do so.[117] The cast also included Arielle Jacobs as the Baker's Wife, JJ Caruncho as the Baker, Justin John Moniz as the Wolf/Cinderella's Prince, Wayne LeGette as the Narrator/Mysterious Man, Annemarie Rosano as Cinderella, and Matthew Janisse as Rapunzel's Prince.[118] The musical had a production at The Muny in Forest Park, St. Louis, Missouri running from July 21 through 28 2015. The cast included Heather Headley (Witch), Erin Dilly (Baker's Wife), Rob McClure (Baker), Ken Page (Narrator), Elena Shaddow (Cinderella), Andrew Samonsky (Wolf/Cinderella's Prince), Samantha Massell (Rapunzel), and Michael McCormick (Mysterious Man/Cinderella's father).[119] The Hart House Theatre production in Toronto, Ontario from January 15, 2016, to January 30, 2016, and February 9, 2023, to February 11, 2023.[120] A production ran at the West Yorkshire Playhouse in Leeds in a collaboration with Opera North from 2 June 2016 to 25 June 2016.[121] The Israeli premiere of the musical, אל תוך היער (El Toch Ha-ya-ar), opened in Tel Aviv in August 2016 for a limited run produced by The Tramp Productions and Stuff Like That,[122] starring Roi Dolev as the Witch, the second male actor to do so.[123] In 2017, a Danish language production ran from May 19 till June 24 at Glassalen in Tivoli, Copenhagen starring Flemming Enevold as the narrator.[124] The production opened again March 18 2022, running till April 23 and notably starring Stig Rossen as the Narrator and Ghita Nørby as the voice of the Giantesss.[125] In 2019, there was a production done at the Patchogue Theatre starring Constantine Maroulis as the Wolf/Cinderella's Prince, Melissa Errico as the Baker's Wife, Ali Ewoldt as Cinderella, Alice Ripley as the Witch, Jim Stanek as the Baker, Alan Muraoka as the Narrator/Mysterious Man, and Darren Ritchie as Rapunzel's Prince.[126] Also in 2019, Into the Woods was done by the Barrington Stage Company in Pittsfield, Massachusetts. It starred Mykal Kilgore as the Witch, Mara Davi as the Baker's Wife, Jonathan Raviv as the Baker, Pepe Nufrio as Rapunzel's Prince, Sarah Dacey Charles as Cinderella's Stepmother/Granny/Cinderella's Mother, Dorcas Leung as Little Red Ridinghood, Amanda Robles as Cinderella, Thom Sesma as the Narrator/Mysterious Man, Kevin Toniazzo-Naughton as the Wolf/Cinderella's Prince, Clay Singer as Jack, Zoë Aarts as Lucinda, Megan Orticelli as Florinda, and Leslie Becker as the Giantess/Jack's Mother.[127] A 2022 production staged at Arkansas Repertory Theatre featured the pre-recorded voice of former Secretary of State and one-time Presidential nominee Hillary Clinton as the Giantess.[128] In 2023, a production was done by Open Stage Theatre Company in Harrisburg, Pennsylvania. A production by Belvoir St Theatre in Sydney, Australia ran in 2023, from 23 March to 30 April.[129] A production of Into the Woods also took place in Victoria, Australia, put on by Leongatha Lyric Theatre, in July 2024, showing at Memorial Hall, Leongatha. Principal castsThe original principal casts of notable stage productions of Into the Woods. Notable replacementsBroadway (1987–89)
First US National Tour (1988-90)
First Broadway Revival (2002)
Second Broadway Revival (2022–23)
Ten City Engagement (2023)
AdaptationsHigh School versionThe musical has been adapted by Music Theatre International into a teen-friendly version for use by schools and young companies. Little to nothing has been changed in this version, but it can be changed at the director's will depending on their vision. Junior versionThe musical has been adapted by Music Theatre International into a child-friendly version for use by schools and young companies, with the second act completely removed, as well as a large amount material from the first. The show is shortened from the original two and a half hours to fit in a 50-minute range, and the music transposed into keys that more easily fit young voices. It is licensed through Music Theatre International Broadway Junior musicals. The plot differs from the original with the story ending on a "happy ending"[132] In 2019, a similar adaptation, Into the Woods Sr., adapted for performance by senior citizens in community centers and nursing homes, premiered. It is available under license.[133][134] FilmA theatrical film adaptation of the musical was produced by Walt Disney Pictures, directed by Rob Marshall, and starring Meryl Streep as the Witch, Emily Blunt as the Baker's Wife, James Corden as the Baker, Anna Kendrick as Cinderella, Chris Pine as Cinderella's Prince, Daniel Huttlestone as Jack, Lilla Crawford as Little Red Ridinghood, Tracey Ullman as Jack's Mother, Billy Magnussen as Rapunzel's Prince, Christine Baranski as Cinderella's Stepmother, MacKenzie Mauzy as Rapunzel, Tammy Blanchard as Florinda, and Johnny Depp as the Wolf.[135][136] The film was released on December 25, 2014.[137] It was a critical and commercial hit, grossing over $213 million worldwide. For her performance as the witch, Streep was nominated for the Academy Award for Best Supporting Actress at the 87th Academy Awards.[138] The film also received Academy Award nominations for Best Production Design and Best Costume Design.[138] Analysis of book and musicIn most productions of Into the Woods, including the original Broadway production, several parts are doubled. Cinderella's Prince and the Wolf, who both cannot control their appetites, are usually played by the same actor. Similarly, so are the Narrator and the Mysterious Man, who both comment on the story while avoiding any personal involvement or responsibility. Granny and Cinderella's Mother, both matriarchal characters, are also typically played by the same person, who also gives voice to the nurturing but later murderous Giantess. The show covers multiple themes: growing up, parents and children, accepting responsibility, morality, and finally, wish fulfillment and its consequences.[139] Time Magazine's reviewers wrote that the play's "basic insight... is at heart, most fairy tales are about the loving yet embattled relationship between parents and children. Almost everything that goes wrong—which is to say, almost everything that can—arises from a failure of parental or filial duty, despite the best intentions."[140] Stephen Holden wrote that the show's themes include parent-child relationships and the individual's responsibility to the community. The Witch isn't just a scowling old hag, but a key symbol of moral ambivalence. Lapine said that the most unpleasant person (the Witch) would have the truest things to say and the "nicer" people would be less honest.[141] In the Witch's words: "I'm not good; I'm not nice; I'm just right." Given the show's debut during the 1980s, the height of the U.S. AIDS crisis, the work has been interpreted as a parable about AIDS.[142][143] In this interpretation, the Giantess is a metaphor for HIV/AIDS, killing good and bad characters indiscriminately and forcing survivors to band together to stop the threat and move on from the devastation, reflecting the devastation AIDS wrought on many communities.[143][144][145][146] When asked about the connection, Sondheim acknowledged that initial audiences interpreted it as an AIDS metaphor, but said that the work was not intended to be specific.[143] The score is also notable in Sondheim's output because of its intricate reworking and development of small musical motifs. In particular, the opening words, "I wish", are set to the interval of a rising major second and this small unit is both repeated and developed throughout the show, just as Lapine's book explores the consequences of self-interest and "wishing". The dialogue is characterized by the heavy use of syncopated speech. In many instances, the characters' lines are delivered with a fixed beat that follows natural speech rhythms, but is also purposely composed in eighth, sixteenth, and quarter note rhythms as part of a spoken song. Like many Sondheim/Lapine productions, the songs contain thought-process narrative, where characters converse or think aloud. Sondheim drew on parts of his troubled childhood when writing the show. In 1987, he told Time Magazine that the "father uncomfortable with babies [was] his father, and [the] mother who regrets having had children [was] his mother."[147] Awards and nominationsOriginal Broadway productionOriginal London production
1999 London revival
2002 Broadway revival2010 London revival
2012 New York revival
2014 Australian production
2015 Off-Broadway production
2022 Broadway revival
2023 US National tour
References
External links Wikiquote has quotations related to Into the Woods.
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