Look Who's Talking is a 1989 American romantic comedy film written and directed by Amy Heckerling, and starring John Travolta and Kirstie Alley.[4] The film concerns the relationship between single mother Mollie (Alley) and her infant son Mikey's babysitter, James (Travolta). Bruce Willis provides the voice of Mikey's precocious thoughts, heard only by the audience.[5] The film also features Olympia Dukakis, George Segal and Abe Vigoda in supporting roles. Produced by M.C.E.G. Productions, Inc. and released on October 13, 1989 by Tri-Star Pictures, the film received mixed reviews from critics. Nevertheless, it was an enormous box office success, grossing $297 million worldwide[3] on its budget of $7.5 million.[6]
Mollie Jensen, an accountant living in New York City, becomes pregnant during an affair with Albert, a married client. The fetus, heard only by the audience, begins making commentary on his development. Albert assures Mollie that he will leave his wife to be with her, but in her ninth month, while out shopping, Mollie and her friend Rona catch Albert with yet another woman. Albert admits he does not plan to stay with Mollie, and the heartbreak and stress cause her to go into labor. A taxi driver, James Ubriacco, speeds through downtown traffic to get her to the hospital in time and subsequently witnesses the baby's birth after being mistaken for the father. Mollie becomes a dedicated single mother to baby Mikey, whose thoughts the audience continues to hear.
James tracks Mollie down using the purse she left in the cab, and convinces her to allow him to use her Manhattan address to help him set up nursing care for his grandfather Vincent in exchange for his services as a babysitter. Over the next several months, James develops a bond with Mikey as Mollie goes on several failed dates in hopes of finding him a suitable stepfather. Mikey, having seen his friends' fathers at the playground, decides that James should be his father.
James, who moonlights as a flight instructor, takes Mollie flying, and she begins to fall for him. James tells Mollie that he loves her and Mikey, but she believes he is too immature to be Mikey's father. Things get worse when Mollie is forced to work with Albert again, and he attempts to re-insert himself into Mikey's life. When he shows up to Mollie's apartment unannounced, James, who had thought Mollie was artificially inseminated, gets into a fight with him, and Mollie admits that it might be best for everyone if James wasn't in Mikey's life. Mollie allows James to say goodbye to Mikey; he gives him a few pieces of fatherly advice as Mollie listens over the baby monitor.
Mollie takes Mikey to Albert's office to meet him, but Albert's behavior shows that he is still too callous and selfish to be the full-time father Mikey needs, and Mollie leaves him for good. Later that day, Mollie and James are both called to Grandpa Vincent's retirement home to intervene in a miscommunication between him and the staff. Mollie defuses the situation just as James arrives, and they make up.
Meanwhile, Mikey wanders off when he sees what he thinks is James's taxi and ends up standing in the middle of traffic. James comes to his rescue, and Mikey says his first real word: "Da-da." James and Mollie realize that Mikey already sees James as his father and they decide to give their relationship a chance, kissing passionately while Mikey considers telling them he needs a new diaper. Nine months later, Mollie gives birth to her and James' daughter and Mikey's half-sister Julie, complete with her own inner voice.
Cast
John Travolta as James Ubriacco, a taxi driver who also works as a flight instructor
Kirstie Alley as Mollie Jensen, an accountant and Mikey's mother
Olympia Dukakis as Rosie Jensen, Mollie's mother and Mikey's grandmother
Jason Schaller, Jaryd Waterhouse, Jacob Haines, and Christopher Aydon portray Mikey as a fetus/newborn, at 4 months, and at 1 and 2 years, respectively
Twink Caplan as Rona, Mollie's co-worker and best friend
Joy Boushel as Melissa, Albert's interior decorator and mistress
The idea for the film came shortly after the birth of Heckerling's daughter Mollie Israel in 1985. Heckerling recalled: “We’d be making up lines and I thought, this is a movie.”[7]Harold Ramis believed the character of Albert to be based on himself, as he was secretly the biological father of Heckerling's child. Like Albert, Ramis was in the process of leaving his wife during Heckerling's pregnancy but ultimately ended up with a third woman.[8]
Reception
The film received mixed reviews. On the review aggregator website Rotten Tomatoes, 58% of 40 critics' reviews are positive, with an average rating of 5.5/10. The website's consensus reads: "Look Who's Talking holds some appeal thanks to its affable stars and Amy Heckerling's energetic direction, but a silly script doesn't allow wit to get a word in edgewise."[9]Metacritic, which uses a weighted average, assigned the film a score of 51 out of 100, based on 15 critics, indicating "mixed or average" reviews.[10] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[11]
Look Who's Talking was a surprise hit, opening at number one in the United States with $12,107,784 in its opening weekend and staying at number one for five weekends with grosses over $10 million each weekend. It eventually grossed $140,088,813 domestically and a worldwide total of $296,999,813,[3] making it Travolta's most successful film in eleven years since Grease, the fourth highest-grossing movie of 1989,[3] and Columbia TriStar's highest-grossing film overseas, surpassing Kramer vs. Kramer.[12]
The film was released in the United Kingdom on April 6, 1990, and topped the country's box office that weekend.[13]