Huré has been credited with producing the first set of stained glass using an abstract aesthetic, to be seen in her 1931 work at the chapel of the seminary of Voreppe.[7]
She was also the inventor of a technique, called brique Huré,[7] for which she received a patent in 1930.
Huré was proud of her independence in a field dominated by men, and she was frequently seen smoking a pipe.[2] This led to her being given the nickname Jeune fille à la pipe.[1] Her studio-house in Western Paris was two doors from that of sculptor Dora Gordine, both having been designed by Perret.[8]
^Mohammad, Gharipour (14 November 2014). Sacred Precincts: The Religious Architecture of Non-Muslim Communities Across the Islamic World. Brill. ISBN9789004280229.
^Cohen, Jean-Louis (15 August 2014). France: Modern Architectures in History. Reaktion Books. ISBN9781780233949.
^Tom Devonshire Jones; Linda Murray; Peter Murray, eds. (26 September 2013). The Oxford Dictionary of Christian Art and Architecture. Oxford University Press. ISBN9780199680276.
^Knapp, Danielle (2002). Auguste Perret, Marguerite Huré: jusqu'à la sereine délectation. Le Havre, France: Petit à Petit. ISBN9782914401586.
