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New (film)
New is a 2004 Indian Tamil-language science fiction comedy film directed, written and produced by S. J. Suryah, who also stars alongside Simran. Kiran Rathod and Devayani play supporting roles. In the film, an 8-year-old child gets an experiment done on him that requires him to live as himself during the day and like a 28-year-old man at night. Chaos begins after he toggles between two roles simultaneously. New was simultaneously shot in Telugu as Naani with Mahesh Babu and Ameesha Patel, while Devayani reprised her role in Naani. The plot is adapted from the 1988 American film Big. It was released on 9 July 2004. PlotEight-year-old Pappu always troubles his mother Indira and frequently gets scoldings due to his bed-wetting. Pappu's elder brother Kishore plans to watch a porno with his friends in his room. Pappu insists on joining them. When Kishore refuses and gets rid of him, Pappu cuts off the power out of anger, creating a short circuit at home. Indira scolds Pappu and shouts at her husband for not stopping with one child. Distraught, Pappu leaves to end his life near a river, but is stopped by a man who takes him to his home. The man is a scientist who has his own laboratory. He convinces Pappu to take a medicine invented by him which will transform a boy into a fully-grown man. Pappu agrees and turns into a young man. However, he still has the mind of a child. The only person other than the scientist who knows the truth is Pappu's classmate and friend, Deepak. Now an adult, Pappu goes for an interview in a toy manufacturing company under the name of Vichu. The owner interviewing him demands that he empathise with children to understand their taste. Since Vichu is a child, he gets the job easily. He meets the owner's daughter Priya, whom Vichu helped to her feet at an amusement park earlier. The two fall in love. Their intimacy makes Raj, another employee enamored with Priya, jealous. Vichu eventually learns that his mother is depressed and sick following Pappu's disappearance. She laments being so strict with him. After learning of her love for him, Vichu asks the scientist to revert him to his eight-year-old self. The scientist transforms Vichu into Pappu, who reconciles with his mother. However, at night, he turns back to Vichu, and rushes to the scientist, who does not know what went wrong. Pappu now lives as an eight-year-old boy during daytime and as a 28-year-old Vichu during the night. Priya expresses her love to him. Vichu tells her to love a man suitable for her age, but he reciprocates her love upon the scientist's coercion. One day, Priya asks him to accompany her to a matinee show, to which he rejects so she does not find out what is actually going on. Pappu's mother befriends Priya as they are neighbours. Priya likes Pappu, but is angered by Vichu's absence. After angrily hitting Vichu, she decides to marry him. Raj gets Vichu kidnapped on the day of marriage, but he changes to Pappu during the day. The kidnappers release him, thinking that they kidnapped a child by mistake. Pappu turns into Vichu and marries Priya that evening. Priya longs for a child, so they eventually have sex, which results in her becoming pregnant. Vichu/Pappu meets his mother and understands the difficulties of pregnancy, prompting him to take care of Priya with more affection. Deepak demands ice cream but Vichu refuses, having a tight schedule as a son, employee, and husband. Deepak gets angry and, while fighting with Priya, reveals that Vichu is Pappu. She is shocked that she is bearing the baby of a child. Priya blames Pappu for ruining her life and making her pregnant, during which he transforms to Vichu. He gets angry and reveals that he started to love her when she got pregnant and saw his mother in her. Priya goes into labour, and Vichu takes her to the hospital. En route, Vichu is stopped by Raj and his men, who seek revenge. Vichu fights them and admits her in a hospital. There, everyone learns the truth about Pappu, and Priya gives birth to his son while being upset on her fate of being a child's wife. Twenty years pass later, Pappu is an actual 28 year-old. He still is Priya's husband. He goes inside his room as a young man and comes out as the 48-year-old Vichu. His son is a 20-year-old who looks like him. Vichu contacts the scientist to see if he found a remedy for his transformation. The scientist replies that he did not. Cast
ProductionSuryah began pre-production work on a third story titled New in early 2001, which he would also produce.[1] Starring Ajith Kumar and Jyothika,[2] composer Deva had composed ten songs for the film by June 2001.[3][4] After Ajith Kumar had become busy with other commitments, Suryah decided to enact the lead role himself, revealing he had always wanted to be an actor.[5][6] Simran took over as the lead actress, while Kiran and Devayani were cast in pivotal roles. A simultaneously shot Telugu version titled Naani featuring Mahesh Babu in the lead role was also made after Suryah felt that Babu would suit the character, and the Telugu version helped with finances.[7] Suryah noted that he was loosely inspired by the American film Big (1988). The film was shot in hundred days, with Suryah revealing he would often stop acting in between the scenes, when he knew that his performance was not up to his expectation as a director.[8] Suryah noted that script-writing began in 2001, while production with the final cast began in 2002.[9] MusicThe soundtrack was composed by A. R. Rahman.[10] In an interview in 2001, Suryah stated that Deva had composed ten songs for the film, but he was later replaced by Rahman.[3] The song "Thottal Poo Malarum" reuses lyrics from the song of the same name from Padagotti (1964) but the tune is completely new.[11] The audio was launched at Albert Theatre in Chennai.[12]
ReceptionMalathi Rangarajan from The Hindu claimed that "belonging to a genre that is rare to our cinema, "New" however, gets bogged down in a mire of duets and double entenders", but hinted at potential success citing that director "seems to have hit the bull's eye."[11] Visual Dasan of Kalki gave a negative review, criticising Suryah for ruining Big by adding vulgarity on the pretext of mother sentiment, while stating that Penny Marshall, the director of Big, would cry like M. R. Radha by seeing this adaptation.[13] Malini Mannath of Chennai Online wrote that "It's director Suriyah's third directorial venture after his highly successful 'Vali' and 'Khushi'. Wonder what made him rehash Big for his debut 'heroic' misadventure!"[14] The film grossed ₹1.12 crore from 120 screens on Day 1.[15] ControversiesThe film's adult theme generated controversy, and women activists in the state of Tamil Nadu demanded a ban on a film after release, which they say contained obscene scenes. Suryah responded by claiming that the scenes are there because the storyline requires them and described his film as "fiction laced with adult comedy".[16] In August 2005, the Madras High Court revoked the film's censor certificate and directed the Chennai Commissioner of Police to investigate two criminal complaints registered against Suryah. They ruled that the film did not provide a "clean and healthy entertainment" and that it would be failing in its duty if it did not revoke the censor certificate, claiming it originally attained an "A" (adults only) certificate under "questionable circumstances". Suryah was arrested by city police on 22 August 2005 in connection with allegedly throwing a mobile phone at a woman censor board official in a fit of anger during the post-production of the film. According to the complainant, Vanathy Srinivasan, Suryah was denied permission to add the "Kumbakonam" song to the film due to excessively obscene scenes and as a result he allegedly threw a mobile phone at her.[17] He was later released without charge.[18] In 2017, the Supreme Court of India set aside an August 5, 2005 direction of the Madras High Court to the Union Ministry of Information and Broadcasting and the censor board to revoke the censor certification issued to New. The Supreme Court had also mentioned that "It is not for judges to make “piecemeal analysis” of a movie and apply their subjective views of life to revoke the censor certification issued to a film".[19] See also
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