Both immigrant Poles and Americans of Polish heritage live in Chicago, Illinois. They are a part of worldwide Polonia, the Polish term for the Polish Diaspora outside of Poland. Poles in Chicago have contributed to the economic, social and cultural well-being of Chicago from its very beginning. Poles have been a part of the history of Chicago since 1837, when Captain Joseph Napieralski, along with other veterans of the November Uprising first set foot there.[1][self-published source][2] As of the 2000 U.S. census, Poles in Chicago were the largest European American ethnic group in the city, making up 7.3% of the total population.[3][4] However, according to the 2006–2008 American Community Survey, German Americans and Irish Americans each had slightly surpassed Polish Americans as the largest European American ethnic groups in Chicago. German Americans made up 7.3% of the population, and numbered at 199,789; Irish Americans also made up 7.3% of the population, and numbered at 199,294. Polish Americans now made up 6.7% of Chicago's population, and numbered at 182,064.[5] Polish is the fourth most widely spoken language in Chicago behind English, Spanish, and Mandarin.[6]
According to Census estimates as of 2023, the Polish ancestry population in the broader Chicago metropolitan area numbers 721,538, making it the metropolitan region with the highest Polish population in the country, and likely the most Polish metropolitan area in the world outside of Poland.[7][8] While it is often claimed that Chicago has or had the highest Polish population outside of Warsaw, this is unlikely to ever have been the case, given the population of Łódź and Wrocław has historically outpaced the Polish ancestry population in Chicago.[8]
History
A number of Poles contributed to the history of the city together with Captain Napieralski, a veteran of Cross Mountain[clarification needed] during the November Uprising. Along with him came other early Polish settlers such as Major Louis Chlopicki, the nephew of General Józef Chłopicki who had been the leader of the same insurrection. Not to mention certain A. Panakaske (Panakaski) who resided in the second ward in the 1830s as well as J. Zoliski who lived in the sixth ward with records of both men having cast their ballots for William B. Ogden in the 1837 mayoral race in Chicago.[2]
Distribution
According to Dominic Pacyga, most of the Poles who first came to Chicago settled in five distinct parts of the city.[9] The first of those Polish Patches, as they were colloquially referred to, was located on the Near Northwest Side. Centering on the Polish Triangle at the intersection of Milwaukee and Ashland avenues with Division street it later became known as Polish Downtown. The second large settlement, developed in Pilsen on the west side near 18th street and Ashland avenue. Poles established two separate enclaves in the Stock Yard district, one in Bridgeport, the other in the Back of the Yards near 47th street and Ashland avenue. Another Polish neighborhood developed in the area around the massive Illinois Steel works in South Chicago in the area colloquially referred to as "the Bush".
Polish communities in Chicago were often founded and organized around parishes mostly by peasant immigrants who named their neighbourhoods after them, like Bronislawowo, named after St. Bronislava.* Sometimes the neighbourhoods are contiguous so its difficult to say precisely where one ends and one begins, as in the case of 'Stanislawowo' by the church of St. Stanislaus Kostka and 'Trojcowo' by Holy Trinity Polish Mission in the former area of Polish Downtown.
In Polish the ending 'owo' in e.g., Bronislawowo functions similar to English 'ville' in Johnsville or 'ton' in Charleston. When added to a name of a saint, it indicates a Polish sounding town or a village. This is a colloquial phenomenon, not present in educated Polish; however, it persists in the names of different Polish areas of Chicago.
Florianowo – The area around the parish of St. Florian
Over the course of the city's development as the city's Polish community climbed further up the economic ladder and were followed by new waves of immigrants the concentration of Poles shifted to different areas of the city.
As in Poland, the overwhelming majority of Polish immigrants who settled in Chicago were culturally very devout Roman Catholics. Though almost all of the Polish Americans remained loyal to the Catholic Church after immigrating, a breakaway Catholic church was founded in 1897 in Scranton, Pennsylvania. Polish parishioners founded the church to assert independence from the Catholic Church in America. The split was in rebellion from the church leadership, then dominated by Irish and German clergy, and lacking in Polish speakers and Polish church leaders. The Bucktown campus of the former Cathedral of All Saints still stands as a testament to this community of faith. The current Cathedral and Cemetery complex on the city's periphery by Rosemont remains active and is still independent from the authority of the Roman Catholic Church.
While large numbers of Jews from the former lands of the Polish–Lithuanian Commonwealth immigrated to the Chicago area, they faced a historical trajectory far different from that of their Christian counterparts. In the process of Americanization, many Polish Jews in Chicago would lose their identification with Poland, with notable exceptions. There have also been small numbers of Muslims, mostly Lipka Tatars originating from the Białystok region.
'Polish singing bar' on Milwaukee Avenue, circa 1999
Chicago also has a thriving Polish cultural scene. The Polish Arts Club of Chicago was founded in 1926. The city hosts the Polish Film Festival of America where various Polish films are screened during the weeklong festival every October. Polish stage productions in both Polish and English are regularly staged at numerous venues throughout the Chicago Metropolitan Area. The most prominent venues among these are the Chopin and Gateway Theatres. The Gateway, which is also the seat of the Polish Cultural Center in Chicago is the home of the Paderewski Symphony Orchestra. The Lira Ensemble, the only professional performing arts company outside of Poland that specializes in Polish music, song, and dance is Artist-in-Residence at Loyola University Chicago. Chicago is also host to several Polish folk dances ensembles that teach traditions to Polish-American children.
The Almanac of American Politics 2004 states that "Even today, in Archer Heights [a neighborhood of Chicago], you can scarcely go a block without hearing someone speaking Polish". This may be anachronistic because, although once true, today the Archer Heights neighborhood is predominately Mexican-American and Mexican, with many of the Polish former residents having died or moved to the suburbs. This is reflected in many of the businesses which served the Polish community having been replaced with businesses which serve the Mexican community. Polish-language business signs, once ubiquitous in Archer Heights, are now quite rare, while Spanish-language signs are seen on many businesses in the area.
Much of 1950s Chicago Polish youth culture was captured in the 1972 musical Grease, in which the majority of characters had Polish surnames (Zuko, Dumbrowski, Kenickie); Jim Jacobs, who conceived Grease, based the musical on his real-life experiences in a Chicago high school. Much of the Polish-American nature of the musical was discarded when Grease was made into a feature film in 1978, casting non-Polish actors in the lead roles, and subsequent productions have also followed the film's lead in toning down the Chicago Polish influences.
Some of Chicago Polonia (the Polish term for members of the expatriate Polish community) speak the American sub dialect of Ponglish (usually referred to as Chicagowski by local Poles) a fusion of the Polish and English languages. Ponglish is a common (to greater or lesser degree, almost unavoidable) phenomenon among persons bilingual in Polish and English, and its avoidance requires considerable effort and attention. Ponglish is a manifestation of a broader phenomenon, that of language interference.
Notable persons
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Actors, singers, and directors
Stanley Andrews, born Stanley Andrzejewski, an American actor who played the voice of Daddy Warbucks on the radio program Little Orphan Annie
Carlos Bernard, born Carlos Bernard Papierski, an American actor and director, best known for his role as Tony Almeida in 24
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