| Editions
|
Competitions
|
Awards
|
Winners
|
| 2006[20]
|
MEXICAN CINEMA
|
Best Mexican short film
|
La leche y el agua by Celso García
|
| Best director
|
Francisco Vargas Quevedo for El violín
|
| Best screenplay
|
Celso García for La leche y el agua
|
| Best photography
|
Ciro Cabello for El Otro Cuarto
|
| Best actress
|
Vicky de Fuentes for Latidos
|
| Best actor
|
Dagoberto Gama for El violín
|
| Special mention
|
Música de ambulancia by Paula Marcovitch
|
| MEXICAN VIDEO
|
Best Mexican short film in video
|
En el cielo como en la tierra by Natalia López
|
| IBEROAMERICAN
|
Best iberoamerican short film
|
Te quiero mal by Mireia Giró Costa from Spain
|
| Special mention
|
Medianeras by Gustavo Taretto from Argentina
|
| 2007[20]
|
MEXICAN CINEMA
|
Best Mexican short film
|
Tiene la tarde ojos by Hari-Carlos Sama
|
| Best Director
|
Pablo Fulgueira for Es muy fácil
|
| Best screenplay
|
Sebastián Menagaz y Lucas Ezequiel Damino for Reality Show
|
| Best photography
|
Ciro Cabello for Fin de trayecto
|
| Best Actor
|
Enrique Arreola for Tiene la tarde ojos
|
| Best actress
|
Ana Ofelia Murguía for Señas particulares
|
| Special mention of the jury
|
De la vista nace el amor by Miguel Anaya, Ver Llover by Elisa Miller, El sueño de Isi by Isi Sarfati
|
| MEXICAN VIDEO
|
Best Mexican short film in video
|
De causas y azares by Ileana Leyva
|
| Special mention of the jury
|
Ventana by Santiago Esteinou, Historia de un letrero by Alonso Álvarez
|
| Special mention for photography
|
Lugares secretos by Alejandro Díaz
|
| IBEROAMERICAN
|
Best iberoamerican short film
|
Éramos pocos by Borja Cobeaga
|
| Special mention of the jury
|
El canto del grillo by Dany Campos
|
| 2008[20]
|
MEXICAN CINEMA
|
Best short film
|
Café paraíso by Alonso Ruizpalacios
|
| Best Director
|
Alonso Ruizpalacios for Café paraíso
|
| Best photography
|
Damián García for Café paraíso
|
| Best screenplay
|
Alonso Ruizpalacios for Café paraíso
|
| Best actor
|
Tenoch Huerta for Café paraíso
|
| Best actress
|
Yuriria del Valle for La ropa sucia
|
| Special mention of the jury
|
Cosita linda by Fernando Fidel Urdapilleta
|
| ¡Destápalo! by Eun Hee Ihm
|
| Jacinta by Karla Castañeda
|
| La curiosa conquista del ampere by Ramón Orozco
|
| MEXICAN VIDEO
|
Best short film
|
Edén, by Sergio Tovar Velarde
|
| Best director
|
Gabriel Herrera for Primer movimiento para veinte hombres en un cuarto vacío
|
| Special mention for animation
|
El hambre de Caribdis by Chehaibar-Macias
|
| Special mention for experimental
|
Pescador by Daniela Schneider
|
| Technical special mention
|
Cero en geometría by Isac Betancourt
|
| El llanto de la tierra by Lucio Olmos
|
| IBEROAMERICAN
|
Best short film
|
Saliva by Esmir Filho (Brazil)
|
| Best director
|
Eduardo Chapero Jackson for the short film Alumbramiento (Spain)
|
| Special mention of the jury
|
Convite para jantar com o camarada Stalin by Ricardo Alves (Brazil-Argentina)
|
| Award SIGNIS
|
Paloma by Roberto Fiesco
|
| Special mention SIGNIS
|
Carretera del Norte by Rubén Rojo Aura
|
|
|
Award Cinemex
|
Voodoo Bayou by Javier Gutiérrez
|
| Award CINEMAFILMS
|
Best short film cinema
|
Café paraíso by Alonso Ruizpalaciocena
|
| Best short film video
|
Edén, by Sergio Tovar Velarde
|
| 2009
|
MEXICAN CINEMA
|
Best short
|
Tierra y Pan, by Carlos Armella
|
| Best Director
|
Carlos Armella for Tierra y Pan
|
| Best screenplay
|
40 grados a la Sombra, by Flavio González Mello
|
| Best photography
|
40 grados a la Sombra, by César Gutiérrez and Iván Fernández
|
| Best edition
|
El armadillo fronterizo, by Miguel Anaya Borja
|
| Best sound
|
Carlos Zamorano for Tierra y pan
|
| Best Actor
|
Rubén Pablos for La canción de los niños muertos
|
| Best actress
|
Ana Elisa Fernández for Sobre ruedas
|
| Special mention
|
Jaulas, by Juan José Medina
|
| Sobre Ruedas, by Ivonne Delgadillo
|
| Special mention (Carlos Bonfil)
|
La cena, by Gil González
|
| Special mention (Mónica Huarte)
|
La espera, by Pablo Tamez
|
| MEXICAN VIDEO
|
Best short
|
Fogatas en el cielo, by César Salgado
|
| Best animated short
|
El Gran Bang, by the collective Llamarada de Petate
|
| Special mention of the jury
|
Pelea de gallos, by Gabriel Pontones
|
| Pájaros en abril, by Gabriel Ridaura
|
| El descubrimiento, by Alonso Álvarez Barreda
|
| Nación Apache, by Carlos Muñoz
|
| Día Festivo, by Eber García
|
| IBEROAMERICAN
|
Best short
|
Donde quiera que vayas, by Sara Barbas from Portugal/UK
|
| Best director
|
Brian Jacobs for Quien es el Verdugo, from Cuba/Perú
|
| Best screenplay
|
El ataque de los robots de la nebulosa-5, by Chema García Ibarra from Spain
|
| Best photography
|
Javier Fuentes for El mal de Schneider, by Javier Chillón from Spain
|
| Best acting
|
Mónica Muntaner in Absent, by Guillermo Asensio from Spain
|
| Best sound
|
Carlos Manrique Clavijo, Gonzalo García for En Agosto; Andrés Barrientos and Carlos Andrés Reyes from Colombia
|
| Best edition
|
Enterrados by Alex Lora Cércos, from Spain
|
| SIGNIS
|
Award SIGNIS
|
La canción de los niños muertos, by David Pablos.
|
| Special mention SIGNIS
|
El armadillo fronterizo, by Miguel Anaya Borja
|
| RED RENTALS
|
RED RENTALS
|
Tierra y pan by Carlos Armella
|
| 2010[21]
|
MEXICAN FICTION
|
Best short film
|
Últimos pasajeros, directed by Ricardo Soto
|
| Best Director
|
Felipe Gómez for the short film Lupano Leyva
|
| Best screenplay
|
Erick Garcia Corona and Alexandra Márquez for the short film Amanecer, directed by Erick Garcia Corona
|
| Best photography
|
Andrés León Becker for the short film 5 recuerdos, directed by Oriana Alcaine and Alejandra Márquez
|
| Best actress
|
Leticia Huijara for the short film Las Ovejas pueden pastar seguras, directed by Nestor Sampieri
|
| Best Actor
|
Ramiro Ramírez for the short film A solas, directed by David Romay
|
| Best edition
|
Yibran Asuad for the short film 5 Recuerdos, directed by Oriana Alcaine and Alejandra Márquez
|
| Best sound design
|
Pablo Fernández for el Último Canto del pájaro Cú, directed by Alonso Ruizpalacios.
|
| MEXICAN ANIMATION
|
Mention for Best short ANIMATION
|
Martyris directed by Luis Felipe Hernández
|
| Mention for Best short film Experimental
|
Tensa Calma directed by Alfredo Salomon
|
| Amanecer by Erick García Corona (Gustavo Montiel Pagés)
|
| Cinco Recuerdos by Oriana Alcaine and Alejandra Marquez (Iliana Fox)
|
| La mina de oro by Jacques Bonnavent (Monica Dionne)
|
| Martyris by Luis Felipe Hernández (Javier Arath Cortes)
|
| MEXICAN DOCUMENTARY
|
Best short film
|
Cassandro, el exótico directed by Michael Ramos Araizaga
|
| Best director
|
Carlos Hernández for Aquellos sin nombre
|
| Best photography
|
Juan Carlos Lazo for the short film Solo pase la persona que se va a retratar, directed by Roque Azcuaga
|
| Special mention for the short film Tragicómico
|
Autocasting directed by José Luis Soto Ruvalcaba
|
| IBEROAMERICAN
|
Best short film
|
Abuelos directed by Michael Wahrmann from Brazil
|
| Best Director
|
Michael Wahrmann for the short film Abuelos from Brazil
|
| Best screenplay
|
Cláudia Varejao and Graca Castanheira, for the short film Un día frió from Portugal
|
| Best photography
|
Rui Xavier, for the short film Un día Frió from Portugal
|
| SIGNIS
|
Award SIGNIS
|
La patrona directed by Lizzette Arguello, Mexico
|
| NOT BEEN DONE
|
Best Skateboarding short film in the professional category
|
Skater directed by Francisco Manzanares
|
| Best Skateboarding short film in the independent category
|
Out of Bounds directed by Enrique M. Benites
|
| 2011[22]
|
MEXICAN FICTION
|
Best short
|
Una noche by Acán Coen
|
| Best director
|
Firmes by Yordi Capó
|
| Best screenplay
|
Acán Coen for Una Noche
|
| Best photography
|
Heriberto Acosta for Firmes
|
| Best actor
|
Mario Zaragoza for Una noche
|
| Best actress
|
María Deschamps for Miel
|
| Special mention
|
Borreguito for La dirección
|
| To Rubén Pablos's acting in El pescador
|
| El pescador, screenplay by Samantha Pineda and Davy Giorgi
|
| De este mundo, work of the actress Diana Lein
|
| Miel, direction and screenplay by Lucero Sánchez
|
| Mari Pepa for direction and screenplay of Samuel Kishi
|
| MEXICAN ANIMATION
|
Best short
|
Clean es Good by Carlos Matiella
|
| Special mention
|
Prita Noire by Sofía Carrillo
|
| Mutatio for concept and realization
|
| MEXICAN DOCUMENTARY
|
Best DOCUMENTARY
|
Nunca nunca no dejé ir by Moisés Aisemberg
|
| Special mention
|
Río Lerma by Esteban Arrangoiz
|
| Semana santa cora by Omar Osiris and Beatriz B. Bautista
|
| SIGNIS
|
Award SIGNIS
|
Firmes by Yordi Capó
|
| IBEROAMERICAN
|
Best short
|
El Cortejo by Marina Seresesky from Spain
|
| Best director
|
15 summers later by Pedro Collantes
|
| Best screenplay
|
Protopartículas by Chema García
|
| Best photography
|
Voodoo by Sandro Aguilar de Portugal
|
| Special mention
|
Hidden Soldier by Alejandro Suárez
|
| Birdboy by Pedro Rivero and Alberto Vázquez
|
| 3,2 Lo que hacen las novias by Jota Linares
|
| INTERNATIONAL
|
Best short
|
Colivia by Adrian Sitaru from Romania
|
| Special mention
|
Vafor by Kave Nobation from Canada-Mexico
|
| 2012[23]
|
MEXICAN FICTION
|
Best short
|
La herida de Lucrecia by Sabrina Maldonado
|
| Best director
|
Sebastian Quintanilla for La Habitación
|
| Best screenplay
|
Alexandra Marquez for Dos de tres by Paulina Rosas
|
| Best photography
|
Alejandro Cantú for Revelación by Acán Coen
|
| Best actor
|
Juan Carlos Barreto for Apocrifo by Ernesto Fundora
|
| Best actress
|
Karina Gidi for La Habitacion by Sebastián Quintanilla
|
| Special mention acting
|
Aida López for La Madre by Ernesto Martínez Bucio
|
| Kids and teenagers
|
Emanuel Espíndola, Alan Fuentes, Sebastián Díaz, Rebeca Tolsá Bolado, Sergio Meneses Villarreal and Assira Abbate Machado, from the castings of the following shorts: Dos de tres by Paulina Rosas, Dentro de uno by Salvador Aguirre, Assemble by Miguel Ferráez, Pollito Chiken, Gallina Hen by Marta Hernaiz Pidal, and Plutón y los planetas by Vonno A. Ambriz.
|
| Best edition
|
Miguel Ferraez for Assemble by Miguel Ferráez
|
| Best sound
|
MCO estudios for Apocrifo by Ernesto Fundora
|
| Best art
|
Rol Juárez Pérez for El Banquete del Clown by Franco Carmona
|
| Special mention Art
|
Sofía Carrillo for Retrato anónimo by Paola Chaurand
|
| Special mention
|
Me extinguiré en el silencio by David Castañón Medina
|
| Del aire soy by Rodrigo Ugalde de Haene
|
| MEXICAN ANIMATION
|
Best short
|
Dame posadas by Cecilio Vargas Torres
|
| Special mention
|
A secas by Andreas Papacostas
|
| Teclopolis by Javier Mrad from Argentina
|
| MEXICAN DOCUMENTARY
|
Best DOCUMENTARY
|
Fuimos gigantes by Víctor Navarro
|
| Special mention
|
Yuban by Ya´asib Vázquez Colmenares
|
| Ruinas by Martín Molina Gola
|
| IBEROAMERICAN
|
Best short
|
Salón Royal by Sabrina Campos from Argentina.
|
| Special mention
|
La Matraca de Benfhazi by Paco Torres from Spain and Ireland
|
| INTERNATIONAL
|
Best short
|
Normal People by Piotr Zlotorowitcz from Poland
|
| Special mention
|
A trois by Vanessa Clement / Jonathan Hazan from France
|
| The Extraordinary Life of Rocky by Kevin Meul and Steven Dhoedt from Belgium
|
| NATIONAL SHORT FILM SCREENPLAY CONTEST
|
Best Mexican screenplay
|
Cuando yo era viejo by Armando Narváez del Valle
|
| Special mentions
|
Carmita by Yoame Escamilla de Arsenal
|
| Mimodrama by Carlos Alvahuante
|
| Esa palabra con C by Karla E. López Romero
|
| Award KUBRIK Universidad de la Comunicación
|
DOCUMENTARY
|
Fuimos gigantes by Víctor Navarro
|
| FICTION
|
Assemble by Miguel Ferráez
|
| ANIMATION
|
A secas by Andreas Papacostas
|
| Award MacTrainee
|
Best Mexican screenplay
|
Cuando yo era viejo by Armando Narváez del Valle
|
| Best DOCUMENTARY
|
Fuimos gigantes by Víctor Navarro
|
| Best animation short
|
Dame posadas by Cecilio Vargas Torres
|
| Best fiction short
|
La herida de Lucrecia by Sabrina Maldonado
|
| 2013
|
MEXICAN FICTION
|
Best short
|
Contrafábula de una niña disecada by Alejandro Iglesias Mendizábal
|
| Best director
|
Alejandro Iglesias Mendizábal for Contrafábula de una niña disecada
|
| Best screenplay
|
Juan Manuel Barreda and Ana Mary Ramos for Inframundo
|
| Best photography
|
Ignacio Miranda for La Tiricia o cómo curar la tristeza
|
| Best actor
|
Pedro Hernández for La banqueta and Kristyan Ferrer for Ratitas
|
| Best actress
|
Concepción Márquez for El cielo en el lago and Andrea Berzosa for forcelana
|
| MEXICAN ANIMATION
|
Best short
|
Lluvia en los ojos by Rita Basulto
|
| Special mention
|
Electrodoméstico
|
| MEXICAN DOCUMENTARY
|
Best DOCUMENTARY
|
La Parka by Gabriel Serra Argüello
|
| Special mention
|
B-Boy by Abraham Escobedo Salas
|
| MEXICAN NEOMEX
|
Best short
|
Antídoto by Tania Karenni Flores
|
| Special mention
|
El silencio by Sinhue Benavides
|
| IBEROAMERICAN
|
Best short
|
Voice Over by Martín Rosete from Spain
|
| Special mention
|
Anacos by Xacio Baño from Spain
|
| INTERNATIONAL ANIMATION
|
Best short
|
Lady with Flower Hair by Sarah Tabibzadeh from Iran
|
| Special mention
|
The Kiosk by Anete Melece from Switzerland
|
| Head over Heels by Timothy Reckart from UK
|
| INTERNATIONAL FICTION
|
Best short
|
Death of a Shadow by Tom Van Avermaet (Belgium/France)
|
| Special mention
|
Traje de Baño by Mathilde Bayle (France)
|
| NATIONAL SHORT FILM SCREENPLAY CONTEST
|
Best Mexican screenplay
|
Rewind by Santiago Ortiz Monasterio
|
| 2014[24]
|
MEXICAN FICTION
|
Best short
|
Matabichos, by Gabriela Palacios
|
| Best director
|
Bella, by Maricarmen Merino
|
| Best screenplay
|
El Sonámbulo, by Lenz Claure
|
| MEXICAN ANIMATION
|
Best short
|
El don de los espejos, by Mara Soler Guitián
|
| Special mention
|
El modelo de pickman, by Pablo Ángeles
|
| DOCUMENTARY MEXICANO-IBEROAMERICANO
|
Best DOCUMENTARY MEX
|
Fuera de Foco, by Adrián Arce and Antonio Zirión
|
| Special mention MEX
|
Sueño de Juguetes, by Francisco Machado
|
| Best short IA
|
Godka Cirka, by Alex Lora, Spain
|
| Special mention IA
|
Prisioneros del Kanun, by Roser Corella, Spain
|
| IBEROAMERICAN
|
Best short
|
Minerita, by Raúl de la Fuente, Spain
|
| Best director
|
Óscar Bernácer, Bikini, Spain
|
| Best screenplay
|
Bikini, by Óscar Bernácer, Spain
|
| INTERNATIONAL
|
Best short
|
Zima, by Cristina Picchi, Russia
|
| Best screenplay
|
Washingtonia, by Konstantina Kotzamani, Greece
|
| Best director
|
Ilan Klipper, Juke Box, France
|
| Special mention
|
The mass of men, by Gabriel Gauchet, UK
|
| Hasta Santiago, by Mauro Carraro, Switzerland / France
|
| The way back, by Halla Kim, South Korea
|
| 2015[25]
|
MEXICAN FICTION
|
Best short
|
Trémulo, by Roberto Fiesco
|
| Best director
|
Roberto Fiesco, for Trémulo
|
| Best screenplay
|
Julio Berthely, for Mientras duermo
|
| Best photography
|
Alejandro Cantú for Trémulo
|
| Best sound
|
Alberto Molero for Nunca regreses
|
| Best edition
|
Aina Calleja for Huellas
|
| Best art
|
Maria José Pizarro for La tiara vacía
|
| Best actor
|
Burak Yigit for Juego de dedos
|
| Best actress
|
Margarita Sanz for Tres variaciones de Ofelia
|
| Best production
|
Huellas, by Jorge Orozco Watson
|
| MEXICAN DOCUMENTARY
|
Best short
|
Mucacho en la barra se mastura con rabia y osadía by Julián Hernández
|
| MEXICAN ANIMATION
|
Best short
|
Zimbo by Juan José Medina and Rita Basulto
|
| MEXICAN NEOMEX
|
Best short
|
Afuera by José Permar
|
| MÉXICO VIDEO
|
Best short
|
El incansable amor por la ruta del grupo Ramona
|
| IBEROAMERICAN FICTION
|
Best ibero-American fiction short film
|
La Gallina de Manel Raga / Spain
|
| IBEROAMERICAN ANIMATION
|
Best short
|
Edificio Tatuapé Mahal by Carolina Marcowicz and Fernando Salloum / Brazil
|
| IBEROAMERICAN DOCUMENTARY
|
Best short
|
La Reina by Manuel Abramovich / Argentina
|
| INTERNATIONAL DOCUMENTARY
|
Best short
|
Waiting For The (T)rain by Simon Panay / USA
|
| INTERNATIONAL ANIMATION
|
Best short
|
Dinner for Few by Nassos Vakalis / Greece
|
| INTERNATIONAL FICTION
|
Best short
|
Angels Die In The Soil by Babak Amini / Iran
|
| NATIONAL SHORT FILM SCREENPLAY CONTEST
|
Best Mexican screenplay
|
Tutti Frutti by Miguel Saucedo
|
| 2016[26]
|
MEXICAN FICTION
|
Best short
|
24 º 51’ Latitud Norte, by Carlos Lenin Treviño, Ana Valentina López De Cea
|
| Best director
|
Carlos Lenin Treviño for 24 º 51’ Latitud Norte
|
| Best screenplay
|
Juliana Orea and Peter Asley Solís for En el estacionamiento
|
| Special mention for screenplay
|
Rodrigo Ruiz Paterson, and Claudia Saint Luce for Australia
|
| Best photography
|
Diego Tenorio for 24 º 51’ Latitud Norte
|
| Best sound
|
Galileo Galaz, Be Flores and Misael Hernández for 24 º 51’ Latitud Norte
|
| Best edition
|
David Zonana and Karen Espinal for Sangre Alba
|
| Best art
|
Estibaliz Valdivia and Leo Juárez for El ocaso de Juan
|
| Best costumes
|
Paula Quintanar and Constanza Martínez for En el estacionamiento
|
| Best actor
|
Kristyan Ferrer for El Ocaso de Juan
|
| Best actress
|
Lisa Owen for Australia
|
| Special mention for the actress
|
María Fernanda Carrillo, for En el estacionamiento
|
| MEXICAN DOCUMENTARY
|
Best short
|
Tobías, by Francisco de Acosta and Ramiro E. Pedraza
|
| Special mention
|
Club Amazonas, by Roberto Fiesco
|
| Special mention
|
Aurelia and Pedro, by José Permar and Omar Robles
|
| MEXICAN ANIMATION
|
Best short
|
Revoltoso, by Vonno Arturo Ambriz and Roy Ambriz
|
| Special mention
|
Los aeronautas, by León Fernández
|
| Special mention
|
Los gatos, by Alejandro Río
|
| MEXICAN NEOMEX
|
Best short
|
Puertas, by Soledad Violeta Carbajal
|
| Special mention
|
Abducción, by Antonio Ayala Galindo
|
| Special mention
|
Luz de día, by Maurico Calderón Mora
|
| IBEROAMERICAN FICTION
|
Best ibero-American fiction short film
|
San Cristóbal, by Omar Zuñiga Hidalgo, from Chili
|
| Mention
|
Lo compró en Zaratutz, by Aitor Arregui, from Spain
|
| IBEROAMERICAN ANIMATION
|
Best short
|
La noche del oceano, by María Lorenzo, from Spain
|
| Special mention
|
Un nueve de abril, by Edgar Álvarez, from Colombia
|
| IBEROAMERICAN DOCUMENTARY
|
Best short
|
A poquito es noche, by Paula Murcia Restrepo, from Cuba-Colombia
|
| Special mention
|
La impresión de una guerra, by Camilo Restrepo, from Colombia-France
|
| INTERNATIONAL DOCUMENTARY
|
Best short
|
Irregulars, by Fabio Palmieri, from Italy
|
| Special mention
|
Mining poems or Odes, by Callum Rice, Scotland
|
| INTERNATIONAL ANIMATION
|
Best short
|
To Build A Fire, by Fx Goby, from France
|
| Special mention
|
Deer Flowers, by Kangmin Kin, from South Korea
|
| INTERNATIONAL FICTION
|
Best short
|
Zeus, by Pavel Vesnakov, from Germany
|
| Special mention
|
The Ravens, by Jennifer Perrot, from Australia
|
| Award OF THE AUDIENCE ON LINE
|
ANIMATION
|
Revoltoso, by Vonno Arturo Ambriz and Roy Ambriz
|
| Queer
|
Libar, by Bárbara Moreno Turcott
|
| FICTION
|
La hija prometida
|
| NATIONAL SHORT FILM SCREENPLAY CONTEST
|
Best Mexican screenplay
|
Espuma de mar, by Luis Mariano García
|
| Special mention
|
Psic0nautas, by Israel Granja Hernández
|
| Award OF THE PRESS
|
Best short
|
24 º 51’ Latitud Norte, by Carlos Lenin Treviño, Ana Valentina López De Cea
|
| 2017[27]
|
MEXICAN FICTION
|
Best short
|
Verde, by Alonso Ruizpalacios
|
| Best director
|
Alonso Ruizpalacios, for Verde
|
| Best screenplay
|
Antonio de Jesús Sánchez, for La Ramona
|
| Best photography
|
Julio Llorente, for Loving South
|
| Best sound
|
Javier Umpierrez, for Verde
|
| Best edition
|
Sheila Altamirano and Esteban Arrangoiz, for Peñas
|
| Best art
|
Javier Umpierrez, for Verde
|
| Best costumes
|
Alex Caraza and Eloise Kazan, for Julkita
|
| Best actor
|
Gerardo Taracena, for La Ramona
|
| Best actress
|
Meraqui Pradis, for Fuerza Bruta
|
| MEXICAN ANIMATION
|
Best short
|
Cerulia, by Sofía Carrillo
|
| Special mention
|
Poliangular, by Alexandra Castellanos Solís
|
| MEXICAN DOCUMENTARY
|
Special meSogon
|
La yarda, by Francisco Javier Sandoval
|
| Best short
|
Relato Familiar, by Sumie García
|
| Special mention
|
Semillas de Guamúchil, by Carolina Corral Paredes
|
| Special mention
|
Los árboles no dejan ver el bosque, by Gastón Andrade
|
| MEXICAN NEOMEX
|
Special mention
|
Tierra Baldía, by Argenis Salinas Pineda
|
| Best short
|
Bestia, by José Permar
|
| Special mention
|
El sabor de los nudillos, by Dante Alejandro Silva Treviño
|
| Special mention
|
Colapso, by Santiago González Gavilanes
|
| IBEROAMERICAN FICTION
|
Special mention
|
Hijo por Hijo, by Juan Avellar, from Venezuela
|
| Best ibero-American fiction short film
|
Culiaos, by Samuel González, from Chile
|
| IBEROAMERICAN ANIMATION
|
Mention
|
Here's the plan, by Fernanda Frick, from Chile
|
| Mention
|
La casa de los colores, by Nicolas Villareal, from Argentina
|
| Best short
|
Corp, by Pablo Polledri, from Argentina
|
| IBEROAMERICAN DOCUMENTARY
|
Best short
|
Bolingo, el Bosque del amor, by Alejandro G. Salgado, from Spain
|
| INTERNATIONAL ANIMATION
|
Special mention
|
I think you are a little confused, by Iku Ogawa, from Japan
|
| Best short
|
Au Revoir Balthazar, by Rafel Sommerhalder, from Switzerland.
|
| INTERNATIONAL DOCUMENTARY
|
Best short
|
One day in Aleppo, by Ali Alibrahim, from Syria-Sweden-Denmark
|
| Special mention
|
Speaking is difficult, by A. J. Schnack, from USA
|
| INTERNATIONAL FICTION
|
Special mention
|
Semele, by Myrsini Aristidou, from Greece
|
| Best short
|
Minh Tam, by Vincent Maury, from France
|
| AWARD OF THE ASOCIACION DE MUJERES EN EL CINE Y LA TV
|
|
Taller de Corazones Luisa Alba, for Filamentos
|
| NATIONAL SHORT FILM SCREENPLAY CONTEST
|
Best Mexican screenplay
|
Eternity, by Davy Giorgi and Samantha Pineda
|
| 2018[28]
|
MEXICAN FICTION
|
Best short
|
Los desterrados hijos de Eva, by Omar Robles
|
| Best director
|
El aire delgado, by Pablo Giles
|
| Best screenplay
|
Mamartuile, Gabriel Nuncio
|
| Best photography
|
Ulises, Tonatiuh Martínez
|
| Best sound
|
Ulises, Rodrigo Barberá and José Iván Aguilera
|
| Best edition
|
Laura y el viento, Natali Montell, Arián Sánchez and Gabriela Ruvalcaba
|
| Best art
|
Mamartuile, Oscar Tello
|
| Best costumes
|
Los desterrados hijos de Eva, Constanza Martínez
|
| Best actor
|
El futuro, Krystian Ferrer
|
| Best actress
|
El futuro, Jana Raluy
|
| MEXICAN DOCUMENTARY
|
Best short
|
La sombra de un Dios, by Bernhard Hetzenauer
|
| Special mention
|
Oro Rosado, by Daniel Anguiano Zúñiga
|
| MEXICAN ANIMATION
|
Best short
|
In a heartbeat, by Esteban Bravo and Beth David
|
| MEXICAN NEOMEX
|
Best short
|
El último romántico, by Natalia García Agraz
|
| Special mention
|
Espuma de mar, by Luis Mariano García
|
| IBEROAMERICAN FICTION
|
Best ibero-American fiction short film
|
Lucy, by Roberto Gutiérrez (Venezuela)
|
| IBEROAMERICAN ANIMATION
|
Best short
|
Lupus, by Carlos Gómez Salamanca (Colombia/ France)
|
| Special mention
|
O vestido de Myriam, by Lucas H. Rossi (Brazil)
|
| Special mention
|
Rabia, by Romina Tamburello (Argentina)
|
| IBEROAMERICAN DOCUMENTARY
|
Best short
|
Detroit ́s Rivera, by Julio Ramos (Puerto Rico/ USA)
|
| Special mention
|
Here - Ici, by Cayetano Espinosa (Peru)
|
| Special mention
|
Drop by drop, by Alexandra Ramírez and Laura Goncalves (Portugal)
|
| INTERNATIONAL DOCUMENTARY
|
Best short
|
Edith+Eddie, by Laura Checkoway and Thomas Lee Wright, USA
|
| Special mention
|
The rabbit hunt, by Patrick Bresnan, USA and Hungary
|
| INTERNATIONAL ANIMATION
|
Best short
|
Sog, by Jonatan Schwenk, Germany
|
| INTERNATIONAL FICTION
|
Best short
|
Adele, by Mirene Igwabi, Australia
|
| Special mention
|
May Day, by Olivier Magis and Fedrik De Beul, Belgium
|
| NATIONAL SHORT FILM SCREENPLAY CONTEST
|
Best Mexican screenplay
|
Recalentado es Best, by Alba Cecilia Garza and Diana López
|
| Award OF THE PRESS
|
Special mention
|
Ulises, by Jorge Malpica
|
| Best short
|
Al caer la noche, by Rocko Desvan
|
| 2019[29]
|
MEXICAN FICTION
|
Best short
|
Playa Gaviotas by Eduardo Esquivel
|
| Best director
|
Laura Baumeister, for Water Navel.
|
| Best screenplay
|
Betzabé García, for The girl with two heads.
|
| Best cinematography
|
Alana Mejía González, for The Girl with Two Heads.
|
| Best sound
|
Fernando Gómez, Paulina Villavicencio and Óscar Victoria, for No Returns.
|
| Best editing
|
Eduardo Spiegeler and Julián Sarmiento, for Navel of water.
|
| Best art
|
Lou Peresandi, for The Witch of the Walking Match.
|
| Best costumes
|
Lilia Hernández, for The walking witch match.
|
| Best actor
|
Noé Hernández, by Arcángel.
|
| Best actress
|
Tessa Ia, for No Returns.
Sofía Espinosa, for No Returns.
|
| MEXICAN DOCUMENTARY
|
Best short
|
Goodbye, Goodbye, Goodbye, by Ricardo Castro.
|
| Special mention
|
Symphony of a sad sea, by Carlos Mario Morales García
|
| MEXICAN ANIMATION
|
Best short
|
Grandma´s pie, by Ricardo San Emeterio (Mexico / USA).
|
| Special Mention
|
Adelina, by Ana Portilla.
Gina by David Diomedes Heras
|
| MEXICAN NEOMEX
|
Best short
|
Lazareto, by Gustavo Hernández De Anda.
|
| Special mention
|
We exist in silence, by Héctor Ibarra Jiménez.
|
| IBEROAMERICAN FICTION
|
Best ibero-American fiction short film
|
Matria, by Álvaro Gago (Spain).
|
| IBEROAMERICAN ANIMATION
|
Best short
|
Agouro, by David Doutel and Vasco Sá (Portugal / France).
|
| IBEROAMERICAN DOCUMENTARY
|
Best short
|
We were waiting for it to get dark, by Wendi V. Muñiz and Guillermo Zouain (Dominican Republic - USA).
|
| Special mention
|
Laatash, by Elena Molina (Spain).
|
| INTERNATIONAL DOCUMENTARY
|
Best short
|
The space shuttle challenger, by Cecilia Araneda (Canada).
|
| INTERNATIONAL ANIMATION
|
Best short
|
Raymonde Ou L'evasion Verticale, by Sarah Van Den Boom (France).
|
| INTERNATIONAL FICTION
|
Best short
|
Skin, by Guy Nattiv (USA).
|
| NATIONAL SHORT FILM SCREENPLAY CONTEST
|
Best Mexican screenplay
|
Pinky promise, by Indra Villaseñor Amador.
|
| Award OF THE PRESS
|
Special mention
|
The Witch of the strolling phosphor, by Sofía Carrillo.
The Missing Persons Press Award, by Astrid Domínguez
|
| Best short
|
Arcángel, by Ángeles Cruz.
|