At AllMusic, critic Vincent Thomas writes about Some Shapes to Come that:
[...] is an album you can stand up against almost any of the jazz fusion standouts of the '70s. No, it can't go toe to toe with that era's seminal landmark albums (Bitches Brew, Multiple, Black Market, Emergency!, etc), but in terms of artistry, musicianship, and ambition it is among the next tier of thoroughly excellent works [...] There are no lowlights on this album, no soft moments. Often overlooked, it is one of the '70s most unheralded jazz gems [...][1]