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The Battleship Island
The Battleship Island (Korean: 군함도; Hanja: 軍艦島; RR: Gunhamdo) is a 2017 South Korean period action drama film starring Hwang Jung-min, So Ji-sub, Song Joong-ki and Lee Jung-hyun. It is a Japanese occupation-era film about an attempted prison break from a forced labor camp on Hashima Island.[3][4] SynopsisSet during Imperial Japan’s occupation of Korea during World War 2, a group of over 400 Koreans endure harsh forced labor on Hashima Island and risk their lives to attempt a daring escape.[5] CastMain
Supporting
ProductionFilming began June 17, 2016 in Cheongju, South Korea and finished on December 20, 2016. The film reunites Hwang Jung-min with Ryoo Seung-wan, who directed the 2015 hit movie Veteran starring Hwang.[8] Production cost about five times more than the average locally produced film due to the massive lifelike sets.[9] While the island provided the inspiration for the plot, The Battleship Island was not filmed on location. The sets were built in Chuncheon and were designed to resemble the conditions of Hashima Island's community and mines during the 1940s.[10] ReleaseThe Battleship Island was first promoted at the European Film Market in February 2017 and then at the Cannes Film Festival in May. As of June 2017, it has been sold to 113 countries, including North American countries as well as France, Italy, Russia, Turkey, Malaysia, Taiwan, Indonesia, Japan, Hong Kong, Singapore and Thailand.[11][12] On June 16, 2017, an official press conference was held at the National Museum of Korea to launch the film.[9] The film has been invited to compete at 2017 Sitges International Fantastic Film Festival of Catalonia in Spain. The film will be shown in the Orbita section for introducing most notable films of the year and honouring a title chosen by the jury composed of audiences. This is the sixth film by director Ryoo Seung-wan to be selected for a screening at this film festival.[13] Special screeningsOn July 25, 2017, a special pre-screening was held for foreign diplomats in South Korea.[14][15] On July 28, 2017, a special screening was held for UNESCO officials and diplomats in Paris at the headquarters of Metropolitan Filmexport. The aim was to raise awareness into the hidden history of Hashima Island and shed light on the harsh labour and living conditions imposed upon Koreans at the underground coal mining factory on the island during Japan’s rule of Korea.[16] Box officeThe film was released on 26 July 2017 in South Korea.[10] According to the Korean Film Council, The Battleship Island created a new record with reaching 970,516 viewers on its opening night.[17] During the first weekend (July 28 to 30) since the movie was released, an audience of 2.5 million was attracted.[18] This resulted in box-office earnings of USD 18.57 million from 2,027 screens, representing 37.1% of total movie theaters in the country.[19] This marked the first time in the country that a movie had been released on more than 2,000 screens, creating controversy over screen dominance by conglomerates.[20][21] Over 4 million tickets were sold in the first five days, earning USD 27.9 million in total and exceeding the production costs of approximately US$21 million.[22] In its second week of release, the film was surpassed by the historical action drama film A Taxi Driver. By the end of the eighth day since the film was released, it was playing at 1,108 venues for a total of 5.18 million viewers.[23][24] The number of admissions surpassed 6 million on the 12th day of its run.[25] As of September 26, or two months after opening in the box office, overall admission was 6.58 million. ReceptionThe Battleship Island holds a 67% approval rating by 15 reviewers on aggregator website Rotten Tomatoes with a weighted average of 4.3/5 and 6.3/10, respectively.[26] On Metacritic, the film has a score of 60 out of 100 based on 4 critics, indicating "mixed or average reviews".[27] The New York Times noted that the film "vividly conveys the pain of a national wartime trauma whose scars clearly have not healed."[28] Although some aspects of the violence and overly-theatrical storylines were criticized, critics have praised the camera work and Ryoo for his effective use of a large-scale action set.[28][29] Awards and nominations
Historical accuracyJapanese conservative media, such as the Sankei Shimbun newspaper, attacked the film accusing it of distorting historic truth.[38] In response, director Ryoo Seung-wan said "the film is a fact-based fiction" based on historical records as well as first hand testimony from survivors regarding their lack of payments, abusive treatment, and working conditions which lead to deaths of laborers from diseases, malnutrition, and accidents. The writer-director said the film was not made to stoke Korean nationalism or anti-Japanese sentiment but to show "how war can make man a monster".[9] Ironically in South Korea, there was criticism that the film reflected a '[pro-Japanese]' colonialist view of history (식민사관) because it reduced war crimes to cinematic entertainment, and it emphasized the acts of betrayal committed by Koreans on behalf of the Japanese-colonial government.[39] Japanese historical revisionismIn its application to UNESCO for World Heritage status for Hashima Island, Japan acknowledged that Korean and Chinese forced laborers were used there during World War II.[40] The acknowledgement, which was only made after South Korea opposed the bid, stated "large number[s] of Koreans and others [...] were brought against their will and forced to work under harsh conditions in the 1940s at some of the sites [including Hashima island]".[41][42] However, once Hashima Island was approved as a UNESCO World Heritage Site in July 2015, the Japanese reverted to whitewashing history. Two months later Fumio Kishida, then-Japanese Foreign Minister, contradicted the earlier acknowledgement that forced laborers were used at Hashima by saying that "[forced to work under harsh conditions] by the Japanese government representative did not mean forced labor".[43][44] Although UNESCO's World Heritage Committee stipulated that a monitoring mechanism to measure the degree to which the victims of Hashima Island are remembered be a prerequisite for the successful bid,[45] the island's official tourism website and tour program - operated by Nagasaki City - makes no mention of forced laborers and currently does not make any efforts to comply with UNESCO's requirement.[46] References
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