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The Collected Stories of Katherine Anne Porter

The Collected Stories of Katherine Anne Porter
First edition cover art
AuthorKatherine Anne Porter
LanguageEnglish
PublisherHarcourt, Brace & World
Publication date
1965
Media typePrint (hardcover)
Pages495
ISBN978-0156188760
LC ClassPS3531.O752 A6 1965

The Collected Stories of Katherine Anne Porter is a volume of her previously published collections of fiction and four uncollected works of short fiction.[1]

Published in 1965 by Harcourt, Brace & World, the volume includes 26 works of fiction—all the stories that Porter "ever finished and published" in her lifetime.[2] The Collected Works of Katherine Anne Porter won the Pulitzer Prize for Fiction[3] and the National Book Award for Fiction.[4][5][6]

Stories

The Collected Stories of Katherine Anne Porter comprises the works of three earlier volumes —Flowering Judas and Other Stories (1935), Pale Horse, Pale Rider: Three Short Novels (1939) and The Leaning Tower and Other Stories (1944)—and four previously uncollected short stories: "Virgin Violeta", "The Martyr", "The Fig Tree" and "Holiday."[7] The collection includes a brief preface penned by Porter especially for the publication, entitled "Go Little Book."[8][9]

Preface

  • "Go Little Book"
Main article: Flowering Judas and Other Stories
  • "María Concepción"
  • "Magic"
  • "Rope"
  • "He"
  • "Theft"
  • "That Tree"
  • "The Jilting of Granny Weatherall"
  • "Flowering Judas"
  • "The Cracked Looking-Glass"
  • "Hacienda"

From Pale Horse, Pale Rider (1939)

Main article: Pale Horse, Pale Rider: Three Short Novels
  • "Old Morality"
  • "Noon Wine"
  • "Pale Horse, Pale Rider"
Main article: The Leaning Tower and Other Stories
  • "The Source"
  • "The Witness"
  • "The Circus"
  • "The Journey"
  • "The Last Leaf"
  • "The Grave"
  • "The Downward Path to Wisdom"
  • "A Day's Work"
  • "The Leaning Tower"

Uncollected stories

Critical assessment

Biographer Darlene Harbour Unrue traces the evolution in the critical appraisal of Porter's oeuvre:

Several important differences are apparent between the reviews of the Collected Stories [and] those of the small volumes of 1930, 1935, 1939 and 1944. Critical opinions and literary tastes had changed over the course of 35 years, and the later reviews reflect in part those changes. The reviews of her work…had become more probing. While most reviewers [of the earlier volumes] failed to grasp Porter's methods and themes, many reviewers in 1965 discerned distinguishing elements in Porter's subjects and techniques…Feminist scholars and critics, emerging early in the decade, began to show interest in Porter's work, correctly identifying mythic feminism in her fiction.[10]

"I beg the reader one gentle favor…please do not call my short novels Novelettes, or even worse, Novellas. Novelette is classical usage for a trivial, dime-store sort of thing; Novella is a slack, boneless, affected word…Please call my works by their right names: we have four that cover every division: short stories, long stories, short novels, novels [and] they seem very clear, sufficient, and plain English."—Katherine Anne Porter in the introduction "Go Little Book", June 14, 1965[11]

Literary critic for The New York Times, Howard Moss comments on the relationship between Porter's style and her subject matter:

The first concern of these stories is not esthetic. Extraordinarily well-formed, often brilliantly written, they are firmly grounded in life…Experience is the reason for their having been written, yet experience does not exist in them for its own sake; it has been formulated, but not simplified…In the best of her work, the factual and the lyrical are kept in perfect balance.[12]

Moss adds that "Miss Porter is a poet of the short story, and she never confuses the issue."[13]

Footnotes

  1. ^ Unrue, 2008 p. 1040-1041
  2. ^ Porter, 1965, Introduction: "Every story I ever finished and published is here."
  3. ^ "Fiction". Past winners & finalists by category. The Pulitzer Prizes. Retrieved March 30, 2012.
  4. ^ "National Book Awards – 1966". National Book Foundation. Retrieved 2012-03-30.
    (With acceptance speech by Porter and essays by Mary Gaitskill and H.L. Hix from the Awards 60-year anniversary blog.)
  5. ^ Bloom, 2001 p. 12: Porter received the Pulitzer Prize and the National Book Award the following year, 1966.
  6. ^ Unrue, 1997 p. 6
  7. ^ Unrue, 1997 p. 16, footnote 29
  8. ^ Unrue, 2008 p. 1040-1041
  9. ^ Unrue, 1997 p. 16 footnote 29: Unrue terms this introductory essay a "preface" rather than introduction
  10. ^ Unrue, 1997 p. 7-8: Added bracket to abbreviate quote, clarity.
  11. ^ Porter, 2009 p. 3-4
  12. ^ Moss, 1965 p. 46: Composite quote from two consecutive paragraphs.
  13. ^ Moss, 1965 p. 47

Sources

  • Bloom, Harold. 2001. Katherine Anne Porter: Comprehensive Research and Study Guide. Chelsea House Publishers, Broomall, PA. ISBN 0-7910-5941-3
  • Moss, Howard. 1965. The Collected Stories: A Poet of the Story in Critical Essays on Katherine Anne Porter Critical Essays on Katherine Anne Porter (1997). Editor, Darlene Harbour Unrue. G. K. Hall and Company, New York. ISBN 0-7838-0022-3
  • Porter, Katherine Anne. 2009. Katherine Anne Porter: Collected Stories and Other Writings. Literary Classics of the United States, New York. The Library of America Series (2009). ISBN 978-1-59853-029-2
  • Unrue, Darlene Harbour. 1997. Critical Essays on Katherine Anne Porter. Editor, Darlene Harbour Unrue. G. K. Hall and Company, New York. ISBN 0-7838-0022-3
Awards
Preceded by National Book Award for Fiction
1966 		Succeeded by
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