The First Day is the first of three collaborations between British musicians David Sylvian and Robert Fripp. It was released in August 1993, featuring a driving rock style with elements of funk.[1]
After scattered collaborations from the late 1980s, Fripp asked Sylvian to join a new version of his band King Crimson, but Sylvian proposed a collaborative album.
All vocals and guitar parts were recorded at Kingsway in New Orleans, and the mixing was carried out at Electric Ladyland in New York with the help of Peter Gabriel's engineer David Bottrill. They also recorded in Woodstock. Chapman stick player Trey Gunn provided a foundation for Fripp to experiment on electric guitar. Percussion duties were filled by Marc Anderson (longtime collaborator with Steve Tibbetts) and Jerry Marotta (drummer for Peter Gabriel and Tony Levin), while co-producer David Bottrill provided percussion treatments and samples.
The First Day was released in three versions: a double LP (V2712), a regular CD (CDV 2712) and a box set with eight photo prints (CDVX 2712).
Jean the Birdman was released as a single, featuring exclusive B-sides not available on an album.
Impact
"Bringing Down the Light" appeared in the Chris Morris TV series Jam.
Background
Sylvian said in an interview 1994 about the album:[3]
"That was at Robert [Fripp]'s instigation. It was at a time when I think I would have fallen silent anyway. I had no desire to work at that period in time, and Robert was really tugging at my sleeve saying, 'Let's do something, let's do something,' so… why not? And so that was an interesting journey in itself, and we worked together for a number of years before calling it quits. And then I was able to return to solo work…"
"Making this album was definitely a cathartic experience, both for Robert and myself. It comes out of traumatic experiences, but it also resolves them. In the end healing takes place. In working on this album I really surfaced from the experiences of the previous years and managed to move on. It was a turning point for both of us."
"Robert approached me in late 1991 about whether I wanted to join a new King Crimson he was forming. Though very flattered, I decided that I didn’t feel equipped to take on the whole baggage and history that comes with being a member of King Crimson. So instead we took the offer of the tour as an opportunity to write material for an album."
"In the end, three pieces were directly culled from live-performances, ’Jean The Birdman’, ’Firepower’ and ’20th Century Dreaming’, although the latter two were greatly extended and transformed in the studio. Once we had recorded these three pieces, we faced the choice of adding some ballads or making a more dynamic album. We decided that the album should be more confrontational, so we put the quieter pieces aside for the time being, and will maybe record them on a second joint album."
"Neither of us had thought of putting on a piece like ’Darshan’, which is 18 minutes of rhythmically repetitive music with jazz-type improvisations going on throughout. So there was a lot of re-structuring going on in that piece, whilst at the same time I tried not to weaken the live performance that gave it its power in the first place. It was a way of combining Robert’s and my approach to recording music, and a challenge that I enjoyed."
