X-15 (film)
X-15 is a 1961 American aviation drama film that presents a fictionalized account of the X-15 research rocket aircraft program, the test pilots who flew the aircraft, and the associated NASA community that supported the program. X-15 starred David McLean, Charles Bronson,[Note 1] James Gregory and Mary Tyler Moore (in her first feature film role).[2] The film marked the feature film directorial debut of Richard Donner,[3] and was narrated by James Stewart.[4][Note 2] PlotThe experimental North American X-15 program at Edwards Air Force Base involves test pilots: civilian Matt Powell, Lt. Col. Lee Brandon, and Maj. Ernest Wilde. The cutting edge high-speed program is ramrodded by project chief Tom Deparma and US Air Force Col. Craig Brewster. As the test pilots prepare for the planned launch of the rocket-powered aircraft from a Boeing B-52 Stratofortress mother ship, they experience emotional and physical problems, which they share with their wives and sweethearts. Test after test results in setbacks, including a near disaster when an engine explodes during a ground test and engulfs the X-15 and its pilot in flames, but finally the X-15 begins to set records in speed and altitude for a piloted aircraft. When the X-15 "flames out" on a high altitude run, after guiding the X-15 to a safe landing, saving Powell's life, Lt. Col. Brandon, flying a chase aircraft, is killed in a crash. Powell himself takes the X-15 into outer space for the final test. CastAs appearing in screen credits (main roles identified):[6]
ProductionOriginally planned around the earlier NASA Bell X-2 program, writer/producer and later screenwriter, Tony Lazzarino shopped the project around Hollywood in 1958, appearing under several titles: Exit, Time of Departure and Beyond the Unknown. Lazzarino was successful in teaming with Bob Hope, who wanted to produce the film.[7] After approaching the USAF for stock footage of the X-2 flights, the Pentagon made a recommendation that the newly introduced X-15 aircraft held out much more promise as a film subject.[8] With $350,000 assigned for primary shooting, with an additional $72,500 for post-production work, by August 1960, pre-production had moved from Hope Enterprises (Hope's film company) to Frank Sinatra’s Essex Productions. After reviewing the initial draft screenplay, Pentagon suggestions clarified that the X-15 test program would be the focus for the upcoming production.[9] Pentagon assistance was largely responsible for the attention to detail and accurate portrayal of the NASA program.[9] Much of the principal photography for the film was undertaken at Edwards Air Force Base and the NASA High-Speed Flight Station (now the Dryden Flight Research Center) in California, with the direct assistance of NASA, the United States Air Force and North American Aviation.[Note 4][10] USAF Capt. Jay Hanks and NASA research pilot Milton Orville Thompson served as technical advisors on the film. Thompson himself later became an X-15 pilot.[11] The film featured carefully edited NASA footage of X-15 flights intercut with original photography, with a minimum of special effects work using animation.[12] In a pivotal scene of the chase aircraft crashing, X-15 used US Air Force archival footage of the January 10, 1956, "Sabre dance" crash of a North American F-100 Super Sabre flown by Lt. Barty R. Brooks.[13] Another critical scene involved the X-15-3 being destroyed on the test stand when the rocket engine exploded, using stock footage of the accident.[Note 5][15] A archived letter from NASA Armstrong (then Dryden) to the movie producers, reviewing the script prior to production, had recommended a different scenario for a fatal X-15 accident. It cited maximum risk as beginning reentry from space with the X-15 at an inappropriate orientation. That situation actually occurred several years later on X-15 Flight 3-65-97, November 15, 1967, in the rebuilt X-15-3, when pilot Mike Adams experienced a hypersonic spin on reentry. The result was final destruction of the #3 X-15 and the only X-15 pilot fatality. The probable cause was pilot vertigo while in space. Aircraft used in the production
ReleaseHome mediaAfter its initial successful introduction, X-15 quickly faded from movie screens, and was unable to gain much traction from foreign releases.[Note 7] Rarely shown on television, with its first airing only in 1979, the film was released briefly in VHS in 1983 and was released on DVD in 2004.[17] ReceptionCritical responseReleased just as the actual rocket aircraft was making headlines in breaking speed and altitude records and reaching the upper edges of the stratosphere, X-15 was critically reviewed, receiving praise for its authenticity.[18] Following its premiere in Washington, D.C., The Washington Evening Star raved, "Whatever its serious scientific intentions, the X-15 is an almost unbelievable screen spectacular."[9] Considered a realistic look at the lives of the X-15 pilots and the efforts to fly into space, the review in The New York Times commented that it was "A surprisingly appealing and sensible low-budget picture—a semi-documentary with some harmless fictional embroidery ..."[19] Most reviews centered on the accurate portrayal of the U.S. space effort, but disparaged the tepid romantic storyline, even suggesting that the film should have been made as a documentary.[10] Despite generally favorable reviews, Variety sounded a cautious note, calling it "a rather dubious prospect. Much too technically involved for the layman—at times, it resembles a training film more than popular entertainment."[7] In a more recent appraisal of the film, reviewer Glenn Erickson confronted the two critical failings of the film, emphasizing that Donner's direction resulted in an insipid portrait while short-cutting production values also led to an unsatisfying result. Erickson states clearly, "X-15 plays like a bland Air Force Audio Visual Services film that turned into a feature. One of the film's producers was Frank Sinatra, and actor Brad Dexter was at this time sort of a producer wheeler-dealer as well. The film may have started as a government publicity effort, as the idea that the X-15 program is in trouble with the press and Washington is given more attention than anything else in the movie." Even for aviation aficionados, the film is a failure because the production is an "anamorphic movie with an aspect ratio of 2:35. All the original "docu" shots of the real jets and rockets were photographed at the standard narrow 1:37." The jarring back-and-forth between a standard widescreen format and NASA footage that is stretched and distorted relegates the film to a curiosity. In his DVD review, Erickson did not properly express the aspect ratios - where he used "1:37", it should be taken to mean 1.37:1 for example. Only the USAF crash scene footage retains the Panavision anamorphic format, although careful review shows that the aircraft involved is not the chase aircraft.[20] Other responseMary Tyler Moore mentioned the film during an appearance on Lucille Ball's radio talk show, Let's Talk to Lucy. "...I've only really done one picture, and I wouldn't even call that a picture. It was one of those low-budget wonders that was shot in two weeks, and better forgotten altogether. It was a picture called X-15. They weren't quite sure if it was a training film or a melodrama, you know."[21] See alsoReferencesNotes
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