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Gilda Santo Lukas

Jan Mabuse, Santo Lukas melukis sang Perawan, skt. 1520-25). Kunsthistorisches Museum, Wina
Santo Lukas melukis sang Perawan, skt. 1435–1440. 137.5 x 110.8cm. Museum of Fine Arts, Boston. Lukisan ini adalah subjek klasik untuk lukisan yang diberikan kepada gilda.

Gilda Santo Lukas merupakan nama paling umum untuk gilda kota bagi pelukis dan seniman lain di Eropa modern awal, terutama di Negara-negara Dataran Rendah. Mereka dinamai untuk menghormati Penginjil Lukas, santo pelindung para seniman, yang diakui oleh Yohanes dari Damaskus sebagai seniman yang melukis potret sang Perawan.[1]

Lihat pula

Catatan

  1. ^ Howe.

Referensi

  • Bartrum, Giulia. Albrecht Dürer and His Legacy. British Museum Press (2002). ISBN 0-7141-2633-0.
  • Baudouin, Frans. "Metropolis of the Arts." In: Antwerp's Golden Age: the metropolis of the West in the 16th and 17th centuries, Antwerp, 1973, pp. 23–33.
  • Belkin, Kristin Lohse. Rubens. Phaidon Press, 1998. ISBN 0-7148-3412-2.
  • Campbell, Lorne. "The Art Market in the Southern Netherlands in the Fifteenth Century." In: The Burlington Magazine, vol. 118, no. 877. (Apr., 1976), pp. 188–198.
  • Farquhar, J.D. "Identity in an Anonymous Age: Bruges Manuscript Illuminators and their Signs." Viator, vol 11 (1980), pp. 371–83.
  • Ford-Wille, Clare. "Antwerp, guild of S. Luke." The Oxford Companion to Western Art. Ed. Hugh Brigstocke. Oxford University Press, 2001. Grove Art Online. Oxford University Press, 2005. [accessed May 18, 2007]
  • Franits, Wayne, Dutch Seventeenth-Century Genre Painting, Yale UP, 2004, ISBN 0-300-10237-2.
  • Gibson,Walter S. "Artists and Rederijkers in the Age of Bruegel." In: The Art Bulletin, vol. 63, no. 3. (Sep., 1981), pp. 426–446.
  • Heppner, Albert. "The Popular Theatre of the Rederijkers in the Work of Jan Steen and His Contemporaries." In: Journal of the Warburg and Courtauld Institutes, vol. 3, no. 1/2. (Oct., 1939 - Jan., 1940), pp. 22–48.
  • Howe, Eunice D. "Luke, St" Grove Art Online. Oxford University Press, [accessed May 18, 2007]
  • Hughes, Anthony."'An Academy for Doing'. I: The Accademia del Disegno, the Guilds and the Principate in Sixteenth-Century Florence." Oxford Art Journal, vol. 9, no. 1. (1986), pp. 3–10.
  • Jack, Mary Ann. "The Accademia del Disegno in Late Renaissance Florence." In: Sixteenth Century Journal, vol. 7, no. 2. (Oct., 1976), pp. 3–20.
  • King, Catherine. "National Gallery 3902 and the Theme of Luke the Evangelist as Artist and Physician." In: Zeitschrift für Kunstgeschichte, vol. 48., no. 2. (1985), pp. 249–255.
  • Mather, Rufus Graves. "Documents Mostly New Relating to Florentine Painters and Sculptors of the Fifteenth Century." In: The Art Bulletin, vol. 30, no. 1. (Mar., 1948), pp. 20–65.
  • Montias, John Michael. "The Guild of St. Luke in 17th-Century Delft and the Economic Status of Artists and Artisans." In: Simiolus: Netherlands Quarterly for the History of Art, vol. 9, no. 2. (1977), pp. 93–105.
  • Olds, Clifton. "Jan Gossaert's 'St. Luke Painting the Virgin': A Renaissance Artist's Cultural Literacy." In: Journal of Aesthetic Education, vol. 24, no. 1, Special Issue: Cultural Literacy and Arts Education. (Spring, 1990), pp. 89–96.
  • Prak, Maarten. "Guilds and the Development of the Art Market during the Dutch Golden Age." In: Simiolus: Netherlands Quarterly for the History of Art, vol. 30, no. 3/4. (2003), pp. 236–251.
  • Slive, Seymour, Dutch Painting, 1600–1800, Yale UP, 1995, ISBN 0-300-07451-4
  • Smith, Pamela H. "Science and Taste: Painting, Passions, and the New Philosophy in Seventeenth-Century Leiden." In: Isis, vol. 90, no. 3. (Sep., 1999), pp. 421–461.

Bacaan selanjutnya

  • Stabel, Peter, "Organisation corporative et production d'oeuvres d'art à Bruges à la fin du moyen âge et au début des temps modernes", in: Le Moyen Âge. Revue d'histoire et de philologie, 113, 1, 2007, pp. 91–134.

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