She made more use of the point than her sister [i.e. Claudine], and etched in a very powerful style. She harmonized the roughness, left by the aqua-fortis, with the graver, in such a manner as to produce a pleasing effect. She drew correctly, especially the extremities of the human figure, which she expressed with great taste.[3]
She died in Paris at the age of 35 in 1676, having suffered a fall.[1] A third sister, Françoise, was also an engraver.[4]
^Strutt, Joseph (1786). A Biographical Dictionary Containing All the Engravers, From the Earliest Period of the Art of Engraving to the Present Day. Vol. 2. London: Robert Faulder. p. 339.
This article incorporates text from a publication now in the public domain: Bryan, Michael (1886). "Bouzonnet, Antoinette". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol. I (3rd ed.). London: George Bell & Sons.
