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Jon Serl
Jon Serl (1894–1993) was an American artist.[1] He is best remembered as a naiive painter in the tradition of the American artists Grandma Moses and Edward Hicks.[2] He also worked as a vaudeville artist named Slats, as a voiceover performer for Hollywood named Ned Palmer, and as a migrant fruit collector known as Jerry Palmer. Early lifeJon Serl was born as Josef Searls in 1894 in Olean, New York. He was the fifth child of seven. He grew up in a vaudevillian theatrical family. This contributed to his early artistic talents, including performance, acting, dancing, singing and as a female impersonator.[3] Jon Serl was one of his several pseudonyms. In his young adult days he worked as a peripatetic female impersonator performer known as "Slats". He was called Jerry Palmer when the silent film era ended in the late 1920s with the first Sound film. He was a voiceover artist for actors whose voices did not fit well in 'talkies'. He was Ned Palmer during the Great Depression, a migrant fruit picker. LifestyleJon Serl lived in destitute conditions. His house was dilapidated and next to his porch there was a written sign "CLEAN ENOUGH TO BE HEALTHY, DIRTY ENOUGH TO BE HAPPY". Paintings were piled up everywhere while mice and chickens were found around the property. There was no radio. Serl ranked his home as a dump, in his own words: "It's a dump, but it's a nice dump". Serl traded his paintings for rent, with Florence Kochevar, the owner of the San Gabriel property.[4] CareerJon Serl was a self-taught painter who started painting seriously in his mid-fifties. He wanted to buy a painting for his house in San Juan Capistrano, California, but did not have the money. As a result, he started painting and created his own paintings. During this period he also worked in vaudeville, movies, and as a docker. Between 1945 and 1985, Jon Serl did more than 1200 paintings inspired by nature. He refused to exhibit for 20 years until he finally agreed to display his work in the 1970s; his first exhibition was held in 1970 when he was 76. The Los Angeles Municipal Art Gallery managed the exhibition entitled, "California primitives, authentic and of great importance".[5] [1]. At this time Serl he was settled in Lake Elsinore, a desert town in California. In 1981, the Newport Harbor Art Museum organized a show named "Psychological Paintings: The Personal Vision of Jon Serl".[6] His work is now held in permanent collections in several museums including the Smithsonian American Art Museum and the American Folk Art Museum[7] Painting styleJon Serl painted in oil paint on a found surface. He mainly painted characters that were known to be expressionistic and complex, but also brash and bold. It was part of his trademark, which also included the long elegant arms, clownish expressions, and large eyes. Because of his vaudeville childhood, his canvases were often compared to theatrical stages. His works explored the inner and the outer worlds with a narrative that often expressed dualities such as female and male, good and evil, or nature and technology.[8] Theatrical and movie careerJon Serl was born in a theatrical family. When he was a child he enjoyed performing on stage with his sister. Later, in 1937, when he was 39 he moved to Laguna Beach and began to write screenplays for Hollywood. Jon Serl was also a voiceover artist for silent film actors who could not make the transition to the talkies.[9] When World War Two started, he left the United States and went to Canada, where he worked as a forest guard. He used his spare time to paint. When he went back to Laguna Beach after the war, he worked odd jobs and spent all his spare time painting. [10] ArtworkOne of Serl's best known paintings is Between Two Worlds, painted in 1982. The central character stands in the middle wearing a blue dress with his hands twisted, seeming in pain. The figure is wearing a dress, but is male.[11]  Solo exhibitions
Group exhibitions
Books"Jon Serl: The Mutuality of Being." San Jose: Natalile and James Thompson Art Gallery, 2013 was produced in conjunction with the exhibition of the same title that took place at San Jose State University in the spring of 2013. It includes an introduction by Jo Farb Hernandez, Gallery Director and Exhibition Curator, as well as essays by Cara Zimmerman, co-editor of the 2013 book "Great and Mighty Things:" Outsider Art from the Jill and Sheldon Bonovitz Collection, and Randall Morris of the Cavin-Morris Gallery in New York, and Serl's longtime gallerist and friend. A full bio and bibliography are included, along with 71 full-color images of Serl's work and four archival photographs. On January 1, 1995, West Stockbridge, MA: Hard Press, Inc., 1995 published "One Man by Himself: Portraits of Jon Serl by Sam Messer. Essays by Denis Johnson and Red Lips, All Handwritten Quotes from the Mouth of Jon Serl". This book includes a narrative by Denis Johnson describing the painting encounters between both artists, as well as Jon Serl's quotes.[13] Later on, published by Hard Press Editions with its first edition on December 25, 1995, "One Man by Himself (Profile Series)" by Sam Messer presents a total of 25 sensitive portraits of Jon Serl. From his daily habits to his thoughts, Messer's paintings show the obstinate personality of the American painter.[14] Sam MesserArtist Sam Messer met Jon Serl in December 1990. At this time Serl was 96. Messer was driven to the artist because of his famous self-taught paintings; an artist himself, he wanted to learn about Serl's life and paint him. Meetings between the artists became common almost every week until Serl's death in 1993. Through these years almost fifty portraits of Jon Serl were painted and then published in the book "One Man by Himself".[15] Messer said that Jon Serl was a role model for him. He said that Jon Serl completely regenerates his painting practice and that he was also a part of his rebirth as a person.[16] Quotes
References
Information related to Jon Serl |
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